ORCHESTER BERT LANDERS, Der Liebestraum als Twist, 1963

4xtwist-cover4xtwist-back4xtwist-labelAnother Liebestraum als Twist on this “tip” EP. The German version of “Peppermint Twist” was a hit for Caterina Valente. The interesting song on this record is Wo ist der Geiger ( Where is the fiddler ), a German version of  Kom van dat dak af  by the leading Dutch Rock`n`Roll band Peter en zijn Rockets.  Wo ist der Geiger was originally recorded by “Oliver Twist and the Happy Twistlers” for the Electrola label.

ORCHESTER BERT LANDERS, Der Liebestraum als Twist, 1963

ORCHESTER BERT LANDERS, Wo ist der Geiger, 1963

ORCHESTER BERT LANDERS, Twist-Twist, 1963

ORCHESTER BERT LANDERS, The Peppermint-Twist, 1963

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BOB GERRY, Der Liebestraum als Twist, 1962

This is my favourite of all Liebestraum twists because it is the fastest and wildest version. It´s even wilder than Charly Cotton`s original version. It´s so over the top that you wonder if these session-musicians had any idea what they were doing. All the other Bob Gerry songs I´ve heard are soft pop songs. I bought this record when I was 14 years old in a thrift shop in my small town some 28 years ago. I remember thinking that there was something fake about it but still it was so damn fast… I never found a sleeve for this.

BOB GERRY, Der Liebestraum als Twist, 1962

 


TONY VILAPLANA, Sueno de Amor en Twist, 1962

The “Liebestraum” Twist made it into many other countries. This is Tony Vilaplana´s Spanish version. It`s a very cool and also very Spanish version. Less speedy but with a nice groove.

Cocktail Twist is the best song on this EP. It starts with some congas and has a nice Latin twist to the Twist. Great guitar break too!


TONY VILAPLANA, Sueno de Amor en Twist, 1962

TONY VILAPLANA, Cocktail-Twist, 1962

TONY VILAPLANA, Siempre Madison, 1962

TONY VILAPLANA, Detén la noche, 1962

 

tony-photo


Comic-Salon Erlangen, May 22.-25.2008

As promised I´m going to write a bit about the Erlangen Comic-Salon. It´s been a while since I went there and I do not remember the exact happenings any more but the most memorable thing for me was meeting with a lot of young cartoonists that are into Rock`n`Roll. They would probably not call themselves that ( except for Tristan, he`s a Garagehead) but they are definitely into all sorts of cool Underground-Music.

As you can see on the photos we had a lot of fun dancing and partying together but I also took some of their new books home.

Carolin Walch presented a new anthology of music related comics called BALLROOM BLITZ published by Schwarzer Turm (b/w, offset, 128 pages, full colour cover, A4, 5 Euros). Not only does she and her sister Romina manage to bridge the gap between Japanese Manga and modern Independent-Comics, their love for all kinds of Indie-Music also shows in their stories. While equally talented graphically, Romina seems to be the better writer and Carolin mostly relies on her sisters story-telling skills. Really great stuff from Germany!

Another pair of cartoonists are sisters Lilli and Ulla Loge from Dresden. They have a bunch of self-published mini-comics out. Both of them seem to be inspired by American Underground-Comics of the 70s and 80s, especially Womens-Comics. Great stuff and funny too!.

Ulla Loge now lives in Berlin. Lilli Loge`s latest book is called Masturbation (b/w, copied, silk-screen cover, 26 pages, A4, 6 Euros). Lilli also plays in a cool all-girl band called TITTENBONUS.

With her were two other girls from the Dresden University, Kalli and Evelyn. They both play in a crazy all-girl punk band called Sugarcrash and they draw comics. Their university had sponsored their table and their trip. While the university books didn`t have much to offer, I think that these two busy girls were the best business card the university could have sent. I bet they made a lot of contacts and new friends. Plus they were super dancers! And they could sing too!

On Thursday our little gang went to the shadiest bar of Erlangen, the legendary Schwarzer Ritter. At all previous Comic-Salons it had been the bar to go to when any other bar had closed. If you had been to Erlangen and didn`t make it to the Schwarzer Ritter you hadn`t been there.

But of course it depends a lot on the people and over the years they get older. So I was curious if the spirit was to be re-vitalized. When we arrived, Kalli and Evelyn immediately put money in the juke-box and started singing-along to everything from Deep Purple to Madonna. They knew every song by heart. Amazing! We danced till 5 in the morning, went to bed at 6, had breakfast at 9 and came to the convention at 10. Mission accomplished.

On Friday I took Tristan, who I had met last year at the Munich Comic-Convention, to the booth of the Dresden girls. One minute into the introduction he and Evelyn called each other with some nicknames. They had communicated on the Internet for years but never met each other. It`s a small nerd-world.

Tristan Wilder just has a new little split-book out called PARANOID ROCK`N`ROLL together with Ralph Niese`s DONALD & SIMON (b/w, copied, colour cover, 48 pages, A4, 3,50 Euros). Their book is filled with Rock`n`Roll spirited comics and I´m happy that some people carry the torch of this bastard into the future.

The German Independent Comic-Scene has made a huge step in the last 15 years or so. This year long-time Independent Comic-Artist and professor

at the University of Graphic-Arts in Hamburg, Anke Feuchtenberger won the award for “Best Cartoonist” at the Erlangen Comic-Awards. Reprodukt, the publisher I`m with, sold really well and had very good turnouts at the signings.

The so-called Comic-Mainstream, though not to be beaten in sales and public attention is not nearly getting as much media attention and no prestigious awards at all. While that has a lot to do with the quality of their work there is also a lot of ignorance towards “real comics” on the part of the indie-people.

At least at night most of that snobbishness was gone and we had a wonderful nerd-fest in Erlangen. I´m already looking forward to the next Comic-Salon in two years.


DIRTY DOGS, Lose Control, 1978

While in Erlangen I took an hour off and went to a second hand book and record store near the train station.

That´s were I found this 45 by the Dirty Dogs from my hometown Hamburg. I knew I had to buy this when I saw the band members cool biker outfits (click on the picture to make it bigger). Apparently the guys used to play in Beat bands in the Star Club era. Ten years later they must have remembered how much fun it used to be to just “rock out” when they were teenagers. But being better musicians and older and wiser they ruin it. On the back sleeve it says that they play Rock`n`Roll the way it used to be played in the 50s.

“Lose Control” starts off with screaming girls, barking dogs and a voice that shouts(at the dog): “Mando! Mando! Das is Kacke hier! Echt, du! Mann, das kann doch nicht sein… Lass das.” (Mando!Mando! That´s shit here! Really! Man, that can`t be… Stop it.) but then the piano sets in and they turn into “Sha Na Na” meets “AC/DC”. The B-side sounds like “Status Quo” with strings. A Rock`n`Roll parody . Punk had to happen.

Still fun to listen to…

DIRTY DOGS, Lose Control, 1978

DIRTY DOGS, Come Alive, 1978



OLLI + ULF, Red Hot, 1978

This 45 relates to the Dirty Dogs in that it is also from Hamburg , it also came out in 1978 and it is also kind of a parody of Rock`n`Roll. The most striking thing about this record is that Olli is the now famous German comedian Olli Dittrich. Olli was a Rockabilly! And he recorded this when he was 20 years old!

Red Hot is a Rockabilly classic and I don`t have to use wikipedia or the Internet to know that it was written and recorded by Billy “The Kid” Emerson for Sun records in the early 50s when Sam Phillips was establishing the label. Billy Lee Riley covered “Red Hot” in 1957 and made it one of the rawest Rockabilly songs of all time! That same year Bob Luman recorded the song for Imperial and it was my favorite version when I was a little teenage Rockabilly in 1980. This is the kind of knowledge that got stuck with me from that time. Where is all the math, physics and biology?

This record is odd in many ways. They dressed funny but I don`t think the music was supposed to be funny. They chose some really cool Rockabilly songs but the music is not cool. And not Rockabilly. Maybe they didn`t take themselves too seriously.

Now I get it…

OLLI + ULF, Red Hot, 1978

OLLI * ULF, Tennessee Waltz, 1978



FRANK ROTHE, Jungle Rock, 1976

“Jungle Rock” is another classic Rockabilly song recorded by Hank Mizell in 1958. It didn`t hit the charts in the 50s but Charly records re-released it in 1976 and it became a hit in England and a Teddy Boy anthem.

Everything good about the original is missing in Frank Rothe`s cover version. Being a Pop-singer he just had to fail at this raw Rockabilly song. The German lyrics make it still kind of fun to listen to.

FRANK ROTHE, Jungle Rock, 1976