HELMUT SIGGI AND THE GOLDEN EIGHT, Baby Shoe Dixi
Posted: August 14, 2012 Filed under: 50s, Advertisement Records, Flexible Records, Jazz Records 2 Comments »
A very common series of German advertisement flexible records, that I keep finding, was put out by the Servas shoe company, once one of Germany´s leading shoe manufacturers. According to a 1970 article in Spiegel magazine Servas had a business volume of 100 million Deutschmarks and produced 15 million shoes per year. Today it is reduced to a factory outlet.
This was their very first release on a very thin one-sided flexible disc, in fact so thin that it took hours to digitize this one track. The otherwise perfectly flat record would not keep skipping until I found just the right weight of the tone arm. As you can see on the scan, the label could be modified with a sticker so that each shoe store that sold Servas shoes would have their own name on the record, as in this case “Stiller, Berlin”. The Berlin store still exists in Friedrichstrasse, one of Berlin´s main shopping streets.
Of all the Servas songs I know, this is the only one that actually centers around Servas shoes in the lyrics. Other records just mention Servas in the introduction and at the end of the record. I have no idea who Hemut Siggi was or the orchestra backing him. Again Dixie is spelled wrong and the music can only loosely be called dixieland, but there´s some nice jazz, scat-vocals and lotsa schlager here:
HELMUT SIGGI AND THE GOLDEN EIGHT, Baby Shoe Dixi

About me:
My name is Andreas Michalke. I´m a cartoonist from Berlin, Germany and I like collecting records. Most of the records I find in thrift stores or at flea markets here in Berlin. I like a lot of music but I thought I`d focus on odd German records. Preferably with cartoon covers.
All my scans are high-resolution. If you double-click on them they will get much bigger.
What a very clean sound well recorded , where and when was it recored
Thanks, I tried my best. The German archive of advertisement research states it was recorded in 1959. The label says it was recorded in Frankfurt (Aufnahme Tonstudio Frankfurt) and pressed by commission through Deutsche Grammophongesellschaft (Lohnpressung).