In the 1950s, Rock´n´Roll was a force. Some brave accordionists were still holding their ground, not ready to give up the fight. But it was a losing game, loud electric guitars were taking the world by storm. Since then, they have more or less replaced acoustic instruments like accordions, recorders, zithers, cazoos and washboards in popular music.
The Accordionnaires, on the other hand, tried to go with the times…
Found this Rose Records 45 in Vienna a couple of weeks ago. No idea when or where it was published. No trace of it in the digital world either. Obviously it´s never been reissued. About the only thing that popped up, when I searched for The Accordionaires on the Internet, was this music book.
Fred Jasper was a Dutch Singer from Den Haag. According to the Netherland Discography Site, he also operated a record shop in Leyweg 535b, Den Haag. Jasper started his recording career with three Rock´n´Roll 45s for the German mail-order company/department store label Qellux. I posted another rockin´ Quellux 45 a while back.
In 1962 Fred Jasper recorded a fine version of Tommy Roe´s Sheila in German for Electrola and in 1968 an even nicer version of Tom Jones´Delilah in Dutch. The same site states that he made his last record in 1980. Apparently Fred Jasper died at an unknown date. If that is true, I assume it was before the advent of the Internet, because there is no info at all to be found.
Otherwise, the songs have all the usual blog requirements: not available in digital format elsewhere, artist dead or no longer active, no reissue in 50 years.
As you might have noticed, I´ve been absent from this blog for a while. No specific reason, I just lost the weekly rhthm to post stuff and then had other things on my mind over the summer. But of course I kept buying records! I´ve got a whole box of stuff that I will post in the coming weeks. Before I do that, I´ll post a couple of records that were ready to post before I went on hiatus, this one is from May. Another reason I stopped posting was that I thought that the records on my wait list weren´t exciting enough. Actually they´re not better or worse than anything I ever posted before. This one fits the bill: It´s not available in digital format elsewhere, the artist hasn´t been active for decades, and 50 years after it was recorded, I feel it´s fair to present it.
This one-sided flexible disc was made for the German Indanthren trademark association. Indanthren, or Indanthrone, is both a type of organic dye and a brand name. The featured vocalist Ruth Fischer recorded about twenty sides for Electrola in the late 50s and early 60s. Accordingly the Electrola-Tanzorchester is also backing her on this swinging promotional song. While the arrangement is top-notch, the lyrics rather clumsily link teenage desire to the product:
You are still too young for me. Your mustache looks wimpy, so stop bragging (…) I´ll be seventeen next year and I know what I want (…) What do you have to offer, besides big talk and blue jeans? (…) I want a manly, smart and true guy. A man as true and and “light fast” as Indanthren…
Just noticed that the last post was my 700th post since I started this blog in 2007. To celebrate all these wasted years, here´s another flexible Birthday 78rpm postcard record, published by the London based Melody Cards company. These postcard records offer perfect copyright-friendly blog material: anonymous artists, no copyright noted, 50 plus years old and of course never reissued.
Plus, underneath the crackles and pops, a pretty silly song.
No washboard though….
Happy, Happy Birthday!
Happy, Happy Birthday!
On this anniversary of the day that you were born.
Let´s git goin´ down the track,
Once I´se there ain´t comin´ back,
Git those presents on the rack
Of the WASHBOARD BIRTHDAY SPECIAL
Another Oriole 45 and it´s a rocker for a change. Somebody already posted Countdown on Youtube, but to my knowledge it´s not commercially available anywhere. There are a few nice comments about how Phil Tate and his orchestra were regulars at the Streatham Locarno in south-east London.
Considering that Countdown was made by a regular big band for stuffy dance schools to teach teenagers how to dance the Jive, it´s pretty rockin´, in a Joe Meek kind of way.
Released in the “Strict Tempo Dance Series”: Tempo as laid down by the Official Board of Ballroom Dancing!
This is a Samba!
Leo Martin (1924 – 1993) was a Flemish comedian and musician, most famous for being one part of the comic duo Gaston & Leo.
In the late 50s Leo also recorded some rock´n´roll songs. Strangely this one about Cleopatra, sung together with actress Chris Sent (1922-1989), is neither in Flemish or French but German.
Now on the flip they don´t even sing in a real language. Or is it?
And then communication deteriorates even further…
Leo Martin in a short wordless sketch from the 1980s:
For many years, this record has been sitting in the attic at my brother´s house, where I still store some old stuff from when I was a teenager. It was on a visit to my brother last year, in that dusty attic, when I realized that I have been acquiring the same type of records that I present here since I was a child.
Like this Neckermann 45. In the mid 50s the Neckermann mail-order company tried to get a piece of the booming record market with their own short-lived budget label. Established in 1948, Neckerman declared bankruptcy in 2012. Neckermann travel agency still operates today.
This record is perfect blog material: defunct budget label, anonymous band, 50 plus years old songs and never been reissued. Nobody knows this stuff exists. Nobody cares about it. I might as well claim to have created it.
The crazy Boogie…
German Version of Perez Prado´s Cherry Pink and Apple Blossom White. Teddy Kraft on trumpet.
Ebay for 125 euros! Of course nobody will buy it. But why is a record that advertizes for the 1959/1960 SABA-Stereo Truhe, (a TV, a radio and a record player combined into a piece of furniture), considered to be so valuable?trying to sell it on
Most probably because of the one song by Austrian jazz tenor saxophonist and bandleaderone of the few pure jazz musicians who managed to play his music after the Beatles dropped the bomb on jazz in the 60s. Most other German and Austrian jazz musicians either had to play Schlager or dropped out.
This record is also unique because it was one of the first releases produced by SABA, a German manufacturer of electronic equipment, before the company actually branched out into the SABA label. The note/fir tree symbol on the sleeve signifies the black forest where the company and the studio was located. In 1968 SABA, a variety label, was renamed to MPS, the first German label to exclusively release jazz. SABA issued three LPs by Hans Koller from 1963 to 1966. In this respect Koller´s “Tribute to SABA” , recorded in 1958 in Sandweiher near Baden-Baden, was a tribute ahead of time.
Now you probably know by now that I´m not a jazz expert. In fact I don´t care for most of what has passed for jazz in the past 60 years. I like jazz that you cannot stand still to: dance music.
Well, this is still sufficiently swingin`…
If you like this you might want to check out an EP by Zoot Sims and Hans Koller from roughly the same time on the German Brunswick label, that Boogieman posted in April. That one really makes you wanna move!