DIE LOTHAR NAKAT BOYS, Beatnik Fly

B-33-frontB-33-backB-33-2B-33-1More Blockflöten-Rock. Here´s  one more version of  a rock´n´roll instrumental by Johnny and the Hurricanes that uses a recorder to simulate  the band´s trademark Hammond Chord organ, played by Paul Tesluk. Lothar Nakat´s arrangement of the Hurricanes 1960 hit Beatnik Fly was initially released by the small indie Starlet. Apparently Starlet regularly licensed Nakat´s recordings to a couple of dozen other budget labels like, in this case, Deutscher Schallplattenclub, out of Stuttgart,  a record club like Bertelsmann, Opera and Jazztone,

Lothar Nakat´s happy “recorder rock”-version of Beatnik Fly might not sound as dangerous as the original, but I think  it´s really sweet! It´s a shame that it has not been reissued in more than 50 years.

DIE LOTHAR NAKAT BOYS, Beatnik Fly

DIE LOTHAR NAKAT BOYS, Too Much Tequila

CHOR UND ORCHESTER LOTHAR NAKAT, Summer Set

CHOR UND ORCHESTER LOTHAR NAKAT, Luna Triste

Heinz Wolf;  Soprano saxophone

Hans Etzel; Trumpet

Photo credit: Rainer Fichel

B-33-detail

 

 


FRED HOLLERBACH, Liebestraum

hallo-1021-b-liebestraumhallo-1021-a-angel-of-loveAround 1960, the Hallo label out of  Rastatt/ Baden-Württemberg, released around four dozen flexi discs, often containing original tunes, to go with their Hallo magazine, a rock´n´roll knock-off of Bravo. I haven´t posted any Hallo flexis, because a book about Hallo and a CD, was soon to be released. That was years ago, but so far, no book. If the book and the CD finally come out,  I´ll be happy to buy a copy. Meanwhile, this Hallo flexi is fine blog material: 50 plus years old, defunct label, unknown artists, not available in digital format elsewhere.

Franz von Suppé´s Liebestraum was turned into a Twist hit in 1961 by Charly Cotton and his Twistmakers, a band led by prolific songwriter Christian Bruhn. I´ve posted a bunch of versions of Der Liebestraum als Twist over the years, by Jimmy Brown (Tempo), Bert Landers (Tip) and Bob Gerry (Baccarola and the Gary Edwards Combo (Oriole). This Accordeon-Jazz-version,  typical of the 1950s trend of Jazz-takes on Classical music, predates Charly Cotton´s.

The condition of this flexible record seems to be the result of a familiar scene. Flexis were cheap products for teenagers, teenagers that lived in the same rooms with their little brothers and sisters. Like I did with my little brother until I was 13 years old. Frequently we would get in fights. I´m sorry to admit it, but my brother always lost.

liebestraum-fred-hollerbach

In revenge, he would take his crayons and draw all over my stuff…

FRED HOLLERBACH, Liebestraum

Angel of Love was first recorded by Charlie Gracie for Coral in 1959. Teddy Palmer, recorded a German version for Electrola the same year, in the rrrrrock´n´rrrrrollin´Peter-Kraus-style.

FRED HOLLERBACH STUDIO-COMBO, Angel of Love

 

 

 

 

 


KAPELLE ERICH SENDEL, Bei uns zu Haus…

bei-uns-zu-Haus-frontbei-uns-zu-Haus-backbei-uns-zu-Haus-label This primitively packaged, one-sided flexi was a give-away for the customers of Edeka, Germany´s largest supermarket corporation.

Hamburg bandleader Erich Sendel (1917-1988) and his gang did their job, got paid and then immediately forgot about their creation. And everyone else with them. Nobody heard the happy little marching tune again, nobody missed it. For half a century this little genie has been locked up tight in a bottle.

So, here it is…  finally released.

No longer lost in the supermarket…

KAPELLE ERICH SENDEL, Bei uns zu Haus

shoppingaus-hamburg


DIE ROCKETS, Schlafe mein Prinzchen

die rockets-25031Here´s another one of those underrated German cheapo Dixieland tunes that I love so much. The flip is a schmaltzy Bob Gerry Schlager that I just didn´t care enough for, to record. Otherwise all the usual blog requirements: defunct budget label, anonymous band, 50 plus years old songs, never been reissued.

Mozart´s famous lullaby put through the Dixieland meat grinder….

 

DIE ROCKETS, Schlafe mein Prinzchen

 


CHOR UND ORCHESTER KARL-HEINZ LOGES, Hummel-Hummel Bossa Nova

345-817-2-FAs much as I enjoyed seeing the German team win 7-1 over Brazil in the Football World Cup last night, I´d like to point out how much Germans have been fans of everything Brazilian for a long time.

This funny little song from the early 1960s even manages to mix patriotic feelings for the city of Hamburg with Brazilian Bossa Nova. It seems strange but it does make sense considering that Hamburgers always prided themselves to be very cosmopolitan. Hummel Hummel is a traditional greeting among people from Hamburg.

Karl-Heinz Loges held the position of staff arranger and conductor for Radio Hamburg for many years. He also wrote music for films and was probably best known to the general public for the themes to the the  German TV series “Hallo Nachbar” and “Lotterie”.

CHOR UND ORCHESTER KARL-HEINZ LOGER, Hummel-Hummel Bossa Nova

 

 

 

 


DIE DIXIELAND WILD CATS, Wild Cat Blues, 1960

45-26-003-yThis cash-in version of  Chris Barber´s 1959 hit coupling of Petite Fleur/ Wild Cat Blues, recorded by The Dixieland Wild Cats, an anonymous group, was both published by the budget label Baccarola and the Bertelsmann record club. I already posted another version by Kid Orbis on the Delta super-budget flexi-label in 2012.

Petite Fleur was an international hit in 1959 and spearheaded the popularity of the Trad-Jazz movement in Europe. Sidney Bechet, who wrote and first recorded Petite Fleur in 1952, wasn´t able to share the late success of his song. He died in Paris on May 14,  1959.

I really do like these budget versions, especially the rhythm section on Wild Cat Blues. The vibraphone, the bass and the guitar, add a dynamic, slightly more modern touch to the standard early 1920s chug-chug-chug rhythm of the original. I also dig the novelty ending:

DIE DIXIELAND WILD CATS, Wild Cat Blues, 1960

 

DIE DIXIELAND WILD CATS, Petite Fleur, 1960


DIE SABA-STUDIO-COMBO, Bossa Catania

SB-3036-frontSB-3036-BSB-3036-ASome late reference to the football word cup in Brazil. Bought this last year at a flea market in Hamburg. It´s  from the early 1960s,  when  SABA was still a variety label, and before it  focused purely on  jazz. No information online about this record or the artists. As usual, it has never been reissued in any format in fifty years.

Nice easy listening Herbie Mann-style bossa nova…

DIE SABA-STUDIO-COMBO, Bossa Catania

DIE SABA-STUDIO-COMBO, en ti

SB-3036-detail


THE BERTLANDERS-STARBAND, Yah-dah!, 1958

the-bertlanders-starband-seite-1the-bertlanders-starband-seite-2Found this in the 50 cent bin of a local thrift store recently. Sleeveless, but still in okay condition. Here´s all the information that I could find about this mysterious, completely forgotten group.

- Bert Landers was a Berlin band leader who recorded a great number of records for various German labels, but mainly for the budget Tip. He also recorded under the name of Berth von Landers und sein High Society Orchester. I assume that The Bertlanders-Starband is actually the studio orchestra of Bert Landers in one of its earliest formations.

- The Bertlanders-Starband are: Heinz Wulfestieg – trumpet; Karl Wolfgang Wiesenthal – trumpet; Bert Button – trombone; Dieter Siebert – alto-sax; Volkmar Schmidt – tenor-sax, Detlev Clausen – piano; Joachim Gilow – bass; Kurt Giese – drums

- Trumpeter Heinz Wulfestieg (1936–1977) was a half-brother of actress Hildegard Knef.

-  Alto-Saxophonist Dieter Siebert might be identical with 20th-century classical music composer Wilhelm Dieter Siebert (1931-2011). His Wiki-resume mentions that he played Jazz in the late 50s.

- I further assume that Volkmar Schmidt is saxophonist, clarinetist and orchestra leader of  East-German groups Gruppe Schmidt, Schulz & Co., Orchester Volkmar Schmidt and Volkmar Schmidt Combo.

- Drummer Kurt Giese later became a producer for North German radio (NDR) and arranged Chet Baker´s  “Last Great Concert” in 1988 in Hannover, two weeks before Baker´s death.

- Trumpet solo on Franz Grothe´s Mitternachts-Blues by  Karl Wolfgang “Charley” Wiesenthal.

These four tracks, exclusively recorded by Opera – Europäischer Phonoclub, have not been reissued in 50 years.

Yah-dah! is a nicely up-dated version of one of the earliest Jazz recordings,Yah-de-dah,  first recorded in 1917 by the Frisco Jass Band.

 

THE BERTLANDERS-STARBAND, Yah-dah!, 1958

THE BERTLANDERS-STARBAND, Who´s sorry now, 1958

THE BERTLANDERS-STARBAND, Tequila, 1958

THE BERTLANDERS-STARBAND, Mitternachts-Blues, 1958

bertlanders-starband-detail

 

the-bertlanders-starband


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