KRESSBRONNER DORFMUSIKANTEN, Gewitter-Boogie

gewitter-boogie-frontgewitter-boogie-back38-730-A38-731-BThe Kressbronner Dorfmusikanten, a brass band from the village of Kressbronn, were “Kressbronns fröhlicher Exportartikel”, their jolly export item. Kressbronn is located way down in the south of Baden-Württemberg, on the edge of Lake Constance.

Initially formed for an appearance at the 1964 Berlin International Green Week, the group stayed together for 16 years.

Gewitter is thunder storm. Thunder Storm Boogie…

KRESSBRONNER DORFMUSIKANTEN, Gewitter-Boogiegewitter-boogie

trumpets-of-love


IVOR MAIRANTS SEPTET, Toot De Toot, 1959

ivor-mairants-septet-frontivor-mairants-septet-backEPP-7207-BEPP-7207-AThe electric guitar is the most important instrument in pop music of the second half of the 20th century. Still, most guitarists remained music-workers that kept in the shadow of the stars they accompanied. Few of them managed to become stars themselves. So far, I´ve done small portraits of session guitarists like George Barnes, Everett Barksdale, Grady Martin, and German guitarists Dieter Resch and Fritz Woelffer.

Ivor Mairants (1908-1998) was a very prolific British guitarist from the 30s to the 70s. He wrote influential guitar instruction books and in 1958, opened Britain’s first specialist guitar shop. It still exists today.

Some examples of his guitar work can be heard on Youtube. A British Pathé film from 1933 shows a young Ivor Mairants playing guitar and singing with a trio, in the Roy Fox Band. The band appears in the last 3 minutes. In 1942 he played with Jack Simpson and his Sextette. Mairants guitar can be heard in the brilliant Stay Out Of The South featuring vocalist Betty Kent.

Despite his prolific careeer and legacy, Ivor Mairants solo work has not been reissued in more than 50 years. That includes an album by Ivor Mairants and his Septet on the British Richmond label and this EP on the Dutch Palette label.

Ivor Mairants versatile guitar work deserves to be heard again, whether it be in the swingin´Toot De Toot, originally written by Belgian jazz musician Toots Tielemanns, or the rockin´Asia Minor,  clearly inflenced by Les Paul.

IVOR MAIRANTS SEPTET, Toot De Toot, 1959

IVOR MAIRANTS SEPTET, Asia Minor, 1959

IVOR MAIRANTS SEPTET, Vira Vira, 1959

IVOR MAIRANTS SEPTET, El Patito, 1959


FRITZ WOELFFER AND HIS GUITAR, Indio/ County, 1969

date-1019-frontdate-1019-backdate-1019-1date-1019-2In April 2008, six month after I had started Berlin Beatet Bestes, I posted this 45 by Fritz Woelffer for the first time. I wrote: “The two songs are solid instrumental Rock´n´Roll in the European Easy-Listening style of the Spotnicks, the Shadows or Jorgen Ingmann. Sadly, the first 10 seconds of Indio are pretty scratched up, to the point of being unlistenable. I`m putting the song here anyway. Until I find a better copy…”

I actually never expected to see another copy. Not that the record is particularly sought after, but it´s rare and just never turns up. Well, last week I finally found one, at a Berlin record fair. Ironically, it was the first record I picked, when I absent-mindedly let my hand wander through a box of cheapo 45s.  Usually I never bother with cheap records at record fairs, because there is too much high quality stuff to choose from already. Even though I had never seen the sleeve, I recognized the record immediately. It looks like it´s never been played and the sleeve is in good condition too. I paid 1 Euro.

Only a handful of German guitarists like Ladi Geisler, Coco Schumann, Dieter Resch, played this style in the 1960s. None of them ever made it big. On top of that, Fritz Woelffer´s Date 45 unfortunately fell out of time. Instrumental rock was long out of style, when it came out. Contrary to what I assumed six years ago, the record is not from the early, but from the late 60s. Both songs seem perfect. Indio is a seamless Western-movie themed tune. County is a sweet little tune, that apart from what the title suggests, also features bass, organ and drums. But it was all in vain. The odd sleeve probably didn´t help sales either. Fritz Woelffers only solo record went completely under the radar.

Fritz Woelffer was a well-known local session musician. In the late 40s he played guitar with the Heinz Becker Barquintet and recorded a bunch of sided for Amiga. So Woelffer was from Berlin, but I´m not so sure, that these songs were recorded in Berlin any more. The record was published by Albert Bennefeld  out of Berlin-Schlachtensee, but the back of the sleeve lists one Hermann Will (date-Tonproduktion für Schallplatte, Funk und Fernsehen, 8662 Helmbrechts), as the producer. So the date label was obviously from the small town of Helmbrechts, in the Upper Franconia region in the state of Bavaria.

My first copy of this record was so scratchy, that I didn´t even notice it was in stereo and recorded it in mono. Now, I  re-recorded both sides in glorious stereo.

Enjoy!

FRITZ WOELFFER AND HIS GUITAR, Indio, 1969

FRITZ WOELFFER AND HIS GUITAR, County, 1969

date-1016-1019

The date label apparently issued mainly Bavarian folk music from the region, but then suddenly changed to beat and pop in the late 60s. Most notably Günter Noris, who became famous as leader of the Big Band of the German Bundeswehr. I have never seen, nor heard any of these other Date records:

- 1016  Günter Noris und sein Orchester, Playboy-Slop/ Hurrikan

Eine Instrumentalplatte mit viel Sound und Schwung. Ideale Party-Platte

- 1017  The Sunsets, Believe it everyday/ Blared Black Beat

Das Richtige für verliebte Leute – Soft Beat (weicher Beat)

- 1018  Orchester Ralf Cardello, Play Beat/ Canadian Patrol

Big Band Beat – Eine Sensation

- 1019  Fritz Woelffer and his Guitar, Indio/ County

 

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(Über Fritz Wölffer habe ich auch in meiner wöchentlichen Kolumne Berlin Beatet Bestes in der Jungle World Nr. 47 vom 20. November 2014 geschrieben.)

 

 


ARTHUR HARRIS, Open Till Four

45-10-124-B45-B-1029-AI´ve been restricting myself to posting unreleased stuff that nobody else has ever digitized. Mostly material from small labels, but even major labels forget what´s in their catalogs. Especially major labels, because they´re so occupied with chasing the next big trend. Arthur Harris is such a forgotten artist.  He shares the name with Sir Arthur Harris, Marshal of the Royal Air Force, commonly known as “Bomber” Harris. The guy that flattened out Dresden, Hamburg and Berlin during the Second World War. But our Arthur Harris is another man, he just played piano and led an orchestra. The only other release that I could find on the Internet, is his Ariola LP “Arthur Harris His Piano And Orchestra – Nachts am Broadway“. The Mure in the song writing credit of Open Till Four, might be guitarist Billy Mure. But that´s just a guess.

Anyway, both tunes have never been re-issued in digital format and are not available anywhere else. The artists are unknown and nobody has cared to reissue the record in 50 years. I think it´s fair to present it

Open Till Four is a nice swinging instrumental…

ARTHUR HARRIS, Open Till Four

Gau Gau Gaudeamus is the traditional song Gaudeamus Igitur, turned into a twist.

ARTHUR HARRIS, Gau Gau Gaudeamus

orange sundown

 


DIE DIXIELAND WILD CATS, Wild Cat Blues, 1960

45-26-003-yThis cash-in version of  Chris Barber´s 1959 hit coupling of Petite Fleur/ Wild Cat Blues, recorded by The Dixieland Wild Cats, an anonymous group, was both published by the budget label Baccarola and the Bertelsmann record club. I already posted another version by Kid Orbis on the Delta super-budget flexi-label in 2012.

Petite Fleur was an international hit in 1959 and spearheaded the popularity of the Trad-Jazz movement in Europe. Sidney Bechet, who wrote and first recorded Petite Fleur in 1952, wasn´t able to share the late success of his song. He died in Paris on May 14,  1959.

I really do like these budget versions, especially the rhythm section on Wild Cat Blues. The vibraphone, the bass and the guitar, add a dynamic, slightly more modern touch to the standard early 1920s chug-chug-chug rhythm of the original. I also dig the novelty ending:

DIE DIXIELAND WILD CATS, Wild Cat Blues, 1960

 

DIE DIXIELAND WILD CATS, Petite Fleur, 1960


DIE SABA-STUDIO-COMBO, Bossa Catania

SB-3036-frontSB-3036-BSB-3036-ASome late reference to the football word cup in Brazil. Bought this last year at a flea market in Hamburg. It´s  from the early 1960s,  when  SABA was still a variety label, and before it  focused purely on  jazz. No information online about this record or the artists. As usual, it has never been reissued in any format in fifty years.

Nice easy listening Herbie Mann-style bossa nova…

DIE SABA-STUDIO-COMBO, Bossa Catania

DIE SABA-STUDIO-COMBO, en ti

SB-3036-detail


PHIL TATE AND HIS ORCHESTRA, Countdown, 1959

O-9975-45O-9974-45Another Oriole 45 and it´s a rocker for a change. Somebody already posted Countdown on Youtube, but to my knowledge it´s not commercially available anywhere. There are a few nice comments about  how Phil Tate and his orchestra were regulars at the Streatham Locarno in south-east London.

Considering that Countdown was made by a regular big band for stuffy dance schools to teach teenagers how to dance the Jive, it´s pretty rockin´, in a Joe Meek kind of way.

PHIL TATE AND HIS ORCHESTRA, Countdown, 1959

Released in the “Strict Tempo Dance Series”: Tempo as laid down by the Official Board of Ballroom Dancing!

This is a Samba!

PHIL TATE AND HIS ORCHESTRA, Green Turtle, 1959


GROSSES TANZORCHESTER, Der verrückte Boogie

der-verrueckte-boogiegummi-mambo For many years, this record has been sitting in the attic at my brother´s house, where I still store some old stuff from when I was a teenager. It was on a visit to my brother last year, in that dusty attic, when I realized that I have been acquiring the same type of records that I present here since I was a child.

Like this Neckermann 45. In the mid 50s the Neckermann mail-order company tried to get a piece of the booming record market with their own short-lived budget label. Established in 1948,  Neckerman declared bankruptcy in 2012. Neckermann travel agency still operates today.

This record is perfect blog material: defunct budget label, anonymous band, 50 plus years old songs and never been reissued. Nobody knows this stuff exists. Nobody cares about it. I might as well claim to have created it.

The crazy Boogie…

GROSSES TANZORCHESTER, Der verrückte Boogie

German Version of Perez Prado´s Cherry Pink and Apple Blossom White. Teddy Kraft on trumpet.

GROSSES TANZORCHESTER, Gummi Mambo ( Das ist die Liebe im Vorrübergeh´n)


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