Flotte Takte aus der Funk-und Fernsehwerbung 1966 für Coca-Cola

Cheesy German radio and television commercials for Coca-Cola on this flexi disc. I think this was produced for Coca-Cola´s business partners rather than regular customers. These ads below are all from my personal collection. I know… I hate advertisement, but I´ve always had a soft spot for Coca-Cola. Last week Szymon confessed to me that he has been collecting Colca-Cola cans since he`s been a teenager. He`s now got more than 200!

Flotte Takte aus der Funk-und Fernsehwerbung 1966 für Coca-Cola

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SKALDOWIE, Dwa-Jeden-Zero-Start, 1971

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Szymon from Warsaw has stayed at our place for the past days, so I think it`s a good opportunity to post some Polish records. I first met Szymon last year in Warsaw, where I accompanied fellow cartoonist Mawil to a small Comics Festival. Now Szymon is in Berlin for the Berlinale and watches an average of four films a day because he works for a Polish distributor of Art Films. He is also the publisher of Kultura Gniewu, the best Polish publishing house for alternative comics. The Polish version of Fantagraphics, L`Associacion or Reprodukt, if you will.

In the 60s Skaldowie was a popular Polish beat band. In the 70s they progressed into progressive rock. After that, like most of the old cats from the early days , they progressed some more into various directions.

This song from 1971 is REALLY funky. AMAZING! And just a little bit progressive…

I had always admired the sweet and simple, “Sergeant Pepper”-like style of the cover drawing but never knew who did it. When I showed the cover to Szymon, he immediately recognised the artist: Butenko.

BOHDAN BUTENKO

Born 8. II 1931 in Bydgoszcz. Graduated from Warsaw’s ASP in 1955. Cartoonist, poster artist, illustrator, film and stage designer. Individual exhibitions in Paris, Bratislava and Budapest. Awarded Silver Medal at the poster competition in Rimini. Many Polish prizes and awards for best book cover designs.

A couple of minutes later, after Szymon had checked a polish comic forum, he said: “What a coincidence! It´s Butenkos birthday today! He is turning 77 today. ”

I have none of Butenkos books but I will look for them in the future.

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Skaldowie still plays. You can find their discography and some old photos on their website.

SKALDOWIE, Dwa-Jeden-Zero-Start, 1971



NIEBIESKO-CZARNI, Ringo, 1966

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Niebiesko-Czarni (The Blue-Blacks) were one of the most popular Polish rock groups of the 1960s and early 1970s. Czesław Niemen played in the band for several years. Throughout their 14 year history (1962-1976) Niebiesko-Czarni released 8 LPs, 24 singles, sold over 3.5 million records and played more than 3000 shows.

The song “Ringo” is about a dog, not a Beatle. Listen to the dog barking in the middle of this great BIG-BEAT song!

NIEBIESKO-CZARNI, Ringo, 1966

That could be the whole story,but…

The drawing on the cover of this record was done by Ha-Ga, short for Anna Goslawska (1915-1975). In fact her signature can be found on a whole series of record sleeves for the state owned Muza label.

Finding out about her life and work turned out to be quite difficult, though.

(Anna Goslawska, 1939)

Information about her husband Eryk Lipinski was a lot easier to find. Here`s what i got on him…

Eryk Lipiński (1908-1991). Graduate of the Warsaw Academy of Fine Arts 1934. Founder and Chief Editor of Polish satirical weekly magazine “Szpilki”. During World War II active member of the anti Nazi resistance, arrested for production of false documents, prisoner of Auschwitz. In 1978 founded Caricature Museum in Warsaw and was its director till 1991. His major awards include: 1948 – seven 1st prizes at the International Poster Exhibition in Vienna; 1964 – 1st prize for the best political poster of 1963; 1981 – “Distinguished Artist of the Year 1980” of The Association of American Editorial Cartoonists. Participated in International Poster Biennial Warsaw 1966-78 and numerous collective and individual exhibitions in Poland and abroad (Prague, London, Berlin, Vienna).

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Anna and Eryk met as children in the village outside Warsaw, where they both lived as neighbours and it was Lipinski who encouraged her to start publishing her cartoons in Szpilki. She published her first cartoon in 1936. Starting with her pen-name Ha-Ga, Goslawska seems to have tried to make a little bit of a mystery of herself. In an article from 1958 it is mentioned that: “…of all things in the world, she didn`t want to tell, that she was the wife of famous cartoonist Eryk Lipinski.” Ha-Ga was a regular contributor of “Szpilki” , illustrated children`s books and designed posters.

But it was her cartoons that made the biggest impact. Big-eyed and always a little sad, her characters look quite different than the more conventional styles of the time . Compared to most of her contemporaries her stuff still looks fresh today.

ha-gababy.jpg (“Mom, I must confess, I’m expecting a baby!”—-“Oh, my god, not so loud, our housekeeper could hear that!”) ha-gapausengymnastik.jpg

(“Why aren`t you exercising with us?”—-“I`m an accountant, I have to do balancing all year round!”)

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(“That reminds me, it`s high time for me to go to the beauty salon!”)

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(Above article about Ha-Ga from “Das Magazin”, Nr.3, 1955)

In 1955 Eryk`s son Tomek was born. Tomek Lipinski became a key-figure in the early Polish Punk scene of the late 70s/early 80s. He played in Tilt and Brygada Kryzys and is a well known Polish rock musician today.

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(pictured on the first photo from left to right: Jacek `Luter` Lenartowicz(drums), Tomek`frantz` Lipinski(guitar/vocals) and Tomek `rastaman`Szczecinski(bass) , page from “Euro Rock”, Rowohlt Verlag, Germany, December 1981)

Here`s a recent video of Tomek and Tilt

and here`s Tomek Lipinski on myspace.

I want to thank Szymon for finding and translating a lot of this information for me. This is the story of my dreams. It`s got all the right ingredients: Cartooning, Anti Nazi Resistance, Big-Beat and Punk Rock!

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Update, Feb 18. 2008 :

I just contacted Tomek to verify my story. Seems I got it wrong. Here`s what he wrote: “This is slightly incorrect in that I’m not HaGa’s and Eryk’s son. I had a different mother. However HaGa was Eryk’s wife and they had a daughter, Zuzanna who lives permanently in London. You might contact her directly if you wish. In April there will be a major HaGa’s exhibition in Caricature Museum in Warsaw (established by my late father).” Well, sorry for the mistake and thank you very much Tomek. I must go to Warsaw now in April…

( Eine kleine, von mir auf deutsch geschriebene Zusammenfassung dieses Textes, erschien am 30. Juli 2009 in der Wochenzeitung Jungle World.

Im Internet zu lesen ist sie hier. )



JOANNA RAWIK & DZIKUSY, Lilie, 1966

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Another Ha-Ga drawing on this one: Joanna Rawik and the Savages. Well, the savages are not showing their savage side here. Dzikusy, from Warsaw, have two great tracks on the “Wrenchin`the Wires” comp that came out a while back. It´s a real good compilation of all polish- all wild- beat bands! Try to find it. I´m not going to rip it for you…

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In the east the beat bands were not as far removed from the pop singers as in the west. So there is quite a lot of material of this sort: beat/rock bands who back pop singers. In Poland, Czechoslovakia, Romania and Yugoslavia there are still alot of these great hybrids to be unearthed. The strict beat and garage fans might not like this stuff but I think that especially the girl singers are really great.

JOANNA RAWIK & DZIKUSY, Lilie, 1966


DIE HEARTBREAKERS, Ich weiß, was ich will, 1991

This is for my girlfriend, who is a teacher and works at a school in the same district, where these girls are from, Berlin-Wedding. Yes, there is a district called Wedding in Berlin and that´s about as merry as it gets here. Wedding has always been a working class district but it has gotten a lot rougher in the last 17 years. As in most European inner cities a lot of immigrants were pushed into certain areas, where nobody saw them and then left to stew in their own juices. When this group of teenagers played together at least they learned to speak German properly. Nowadays kids often speak worse than their parent. Because the kids only hang out with other immigrant kids who have trouble speaking good German. And our racist system is not interested in helping people (kids!) that are not considered proper Germans. There is simply not enough money going into the schools. Busing the kids to various schools to help them mix with German kids is not even considered right now.

I have a lot of respect for my girlfriend who cares for the kids at her school. She is the hardest working person I know and she is doing good work.

The early 90s was probably the last time that ordinary, amateur people were recording 45s. Cd’s don`t age with the same kind of dignity that vinyl records do. I´m glad that these girls managed to record this sweet and charming song on a 45.

DIE HEARTBREAKERS, Ich weiß, was ich will, 1991


E.M.P., Deadly Force,1983

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When this record came out I was 17 Years old and if I had come across it then, I wouldn`t have liked it. Too serious, not funny, not aggressive and not crazy enough for my teenage taste back then . 25 Years later  I like it for many reasons. Feminist political synth-pop from Cillie Rentmeister a.k.a E.M.P. (End of Man-made Power). “Deadly Force” is about Nuclear Weapons Depots in Germany and “Tanne-Tot-Samba” is about the dying Pine forests.

E.M.P., Deadly Force,1983

E.M.P, Tanne-Tot-Samba, 1983


RINNSTEINSYNPHONIKER, Der Stinker vom Bahnhof Zoo, 1981

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The “Gutter Symphonists” or “Gutter Symphony Orchestra” with a song about a guy who lives in the toilets of the “Bahnhof Zoo”, in the 70s and 80s Berlins biggest railway station and the center of the drug scene. Consequently it`s also a benefit record for a youth and drug counselling center. Musically average but lyrically pretty forward. Again, if this was a Punk record it would be a classic.

RINNSTEINSYNPHONIKER, Der Stinker vom Bahnhof Zoo, 1981

RINNSTEINSYNPHONIKER, Wenn ich mal allei zuhause bin, 1981


PRÄDIKAT WERTVOLL, Kleiner Pilot, 1980

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I`m just guessing this is from 1980. It could be from 81 or 82, but somewhere in that time-slot. The time-slot is: “When we were trying to play cool, new 80s music but we still had to play with some bearded dude from the 70s”

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I´m also just guessing this is from Berlin because it has the Berlin area code listed on the back. “Kleiner Pilot” is not Punk, not Power Pop, not New Wave but it`s trying very hard.

PRÄDIKAT WERTVOLL, Kleiner Pilot, 1980