Luise Martini (born 1931) is an Austrian actress. In 1957 she started co-hosting the popular daily radio-show Autofahrer unterwegs (car drivers on the way). The one-hour show ran for 42 years and featured music, traffic reports and notification requests for travellers on the road. These requests, searching for travellers when a close relative at home was seriously ill or dead, are still being broadcasted all over Europe during summer vacation. Of course in the past they were of greater importance. Before cellphones, once you were travelling, you were gone.
In the swinging Brieftaschen-Anni (wallet-Anni), sung in Austrian dialect, Luise Martini is telling the humorous story of Anni, a professional thief who “doesn´t like boogie, be-bop and rock´n´roll, because it makes stealing impossible when you´re twirling up in the air”.
One of the best things about doing this blog, apart from getting nice comments from you my dear readers of course, is getting reactions from people directly involved with the music I post here. So far nobody has complained or asked me to put down music but supported my efforts.
Last Wednesday I got one such mail from Pivo Deinert, nephew of Werner Deinert. He found the video of Jimmy Jimson and the Werner Deinert orchestra that I had posted on YouTube. He informed me that his uncle had died on Tuesday. He was 78 years old. Pivo Deinert is a musician himself and though not into jazz, pretty much grew up accompanied by the music of his uncle. Sadly he didn´t own any of his records apart from a compilation LP and the MP3 I made from Jimmy Jimson´s Lavender Coffin.
Actually I do only have this record but I wanted to help. One reason why I couldn´t make the deadline last Thursday was that I still didn´t know how to record the 78 rpm records that I wanted to post. I also wanted to go even further back in time than the 50´s rock´n´roll records that I posted last time. I found these six records from 1949 together in a thrift store two years ago and they were pretty cheap, around 2 Euros each. Normally I don´t buy 78 rpm records but these looked too cool. I didn´t know anything about the music though and honestly I still don´t know anything about swing music.
When I posted the flip side of this record, a cover version of Lionel Hampton´s Lavender Coffin by Jimmy Jimson backed by Werner Deinert and his orchestra in September 2008 I took the sound file of the video and turned that into a MP3. Naturally that didn´t sound too good. I still don´t have a record player that plays 78 rpm records that connects to my mixer, amplifier or computer but now I finally found a really simple, even primitive , way of recording them. I put a microphone directly in front of the speaker.
I know that´s still not a satisfying way to record them and to do these forgotten songs some real justice I hope to record them in a better quality some time but the MP3´s that I made with the microphone actually do sound pretty decent. There is a lot of background noise, but that´s how they sound when played on the record player.
So here are the two sides of the Werner Deinert record. Side A ist a Jimmy Jimson, probably a black G.I. stationed in Berlin at the time, backed by the Werner Deinert Orchestra.
(Photo from a article about 6000 black G.I.´s stationed in Wildflecken, Bavaria and the German Frauleins that befriended them, Neue Illustrierte , July 1951)
Werner Deinert´s son discovered my video of the song on YouTube and showed it to his father but he didn´t seem to remember and shrugged it off: “Yea, that was one of those recording sessions”. Pivo wrote that his uncle used to talk about the difficult recording techniques in those days. To regulate the amount of reverb while recording in a church, they lifted the long drop curtain to get more reverb when they played the solo parts.
Mohrchens Boogie, written by Werner Deinert, is a nice swinging instrumental song.
As I wrote two years ago:
Lavender Coffin is the swing classic written in 1949 by Shirley Albert and made famous by Lionel Hampton. This version was released on the local Berlin label Metrophon. I`m not a swing expert so I don`t know much more except that this ROCKS!
Even more than the Hampton version!
The rarely heard instrument, where the player could control the volume with the knees (!), was developed by the genius inventor Ernst Zacharias for HOHNER in the late 50´s. His biggest success though, was the Clavinet , a instrument that became essential in 70´s Funk music.
Again these are lost sounds: only a few recordings remain by Manfred Mann, John Cale and The Stranglers.
Note: I found somebody who is still playing some nice tunes ( among them a piece by Michael Ramos) on the Cembalet today
(Nach dem Tanzen haben wir uns etwas Entspannung verdient. Begeben wir uns an die Bar anno 1961 und lauschen den Klängen des Magnet Quartet mit Michel Ramos am CEMBALET.
Ein selten zu hörendes Tasteninstrument, dessen Lautstärke mit dem Knie (!) verändert werden konnte. Entwickelt vom genialen Erfinder Ernst Zacharias für HOHNER Ende der 50er Jahre. Richtig berühmt wurde dann sein Clavinet, aus der Funk-Musik der angehenden 70er nicht wegzudenken !
Also auch hier: fast verschwunden, es bleiben wenige Aufnahmen von Manfred Mann, John Cale (Velvet Underground) und den Stranglers.
Anmerkung: Ich habe noch einen einsamen Cembalet-Besitzer und seine Sounds gefunden, auch er hat ein Stück von Michel Ramos mit drin)