Bei uns in der kleinen Bar

I´ve loved the drawing style of Hans Jürgen Press since I was a child, so I recognized it immediately when I saw the album cover of this 10″. The clear, slightly broken lines, the big noses and the light-hearted humor are typical for this outstanding German artist. Probably because it was not directed towards children, the design is not as overcrowded with detail as his usual work. There is a well hidden small signature in the far upper right corner. Just as well hidden as the clues that Press was known for placing in his picture puzzles in The Adventures Of The Black Hand Gang.

The album is a showcase of the Philips label  instrumental pop catalog, ca. 1955, in combination with a  “bar” concept: added background noise, chatter, clapping, glasses clanking, interrupted by the Polychord organ of Conni Amberg. It´s like a radio play without the speakers – you hear only the background sounds.

My favorite track is a medley of Margie, Nola and  Dardanella by Svend Asmussen and his orchestra. Danish jazz violinist Svend Asmussen died last year at the age of 100. In the 50s, Asmussen was influenced by the violinist Stuff Smith, but this medley sounds more like the guitar wizardry of Les Paul

BEI UNS IN DER KLEINEN BAR, Margie-Nola-Dardanella Medley

I like this version with the added clapping better than the original version. You can listen and compare it here.

Initially, I didn´t want to post the whole album, because I thought it was boring. Then, after listened to it for a while, I found it to be strangely soothing. I guess, I´m into elevator music now…

BEI UNS IN DER KLEINEN BAR, Seite 1

BEI UNS IN DER KLEINEN BAR, Seite 2

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Kenn´ Se den?

Two weeks ago, I found this record at a Berlin record convention. This promotional flexi-disc for the Berlin tobacco company of Otto Boenicke fits the framework of Berlin Beatet Bestes perfectly. The front side of the record was illustrated by Helmut Nickel. Nickel, an outstanding stylist in the German post-war adventure comic genre, was known for his instantly recognizable black and white pen work. This gouache style illustration shows, he was very good with color, too.

Born March 24, 1924 in Dresden, Helmut Nickel fought in WW II, was a prisoner of war for three years and left East-Germany for West-Berlin in 1948. To finance University, Nickel started illustrating various comics series in 1952. From 1952 to 1964 he worked on a whole series of comics, such as RobinsonHot Jerry, Titanus, Die 3 Musketiere, Der Graf von Monte Christo and Peter’s seltsame Reisen.

( Robinson No. 84, page 11, 1958. From the collection of Hansi Kiefersauer.)

Informed by his studies, Nickel´s comics were educational, at a time when comics were still regarded as trash that was subverting the children. After finishing University in 1959, Nickel worked in a Berlin museum and then applied for a job at the New York Metropolitan Museum as a curator of the historical weapons collection. He stayed there until his retirement in 1989. Today he lives in Florida.

In 2011 Helmut Nickel was honored with a lifetime achievement award at the Munich Comic Festival. Yesterday, Helmut Nickel turned 94.

The Helmut Nickel-side of this flexi is a tongue-in-cheek narration admiring the beautiful brown body of a Boenicke cigar…

Boenicke-Rumba  (The song doesn´t have a title. I just called it that.)

Like many flexi discs that I´ve posted over the years this was also published by the Phonocolor company of Berlin-Lichterfelde. Phonocolor also issued the Okay Exquisit, Rondo and Topas labels.

 

While the Rumba-side runs at 45 rpm, the side with the cigar smoking middle-aged gentlemen runs at 33 rpm. Compared to the comissioned front, this looks like a stock illustration. The male and female narrators sound like Berlin cabaret Die Stachelschweine. Five jokes interrupted by some boogie woogie piano. Kenn´ Se den?  Have you heard this one? …

Kenn´Se den?

 

 


SUSKE & WISKE, De Regendag, 1978

gratis-frontgratis-backde-regendagla-pluie

It´s been raining quite a bit here in Brussels over the past days, so here´s a record about “A Rainy Day”. Suske & Wiske is one of the most famous and successful Belgian comics series. Since its creation in 1945, it sold 145 million copies. This promotional multi-media item for kids, produced for German food brand Knorr,  is a good example of Belgian multilingualism. Side A is in Flemish and side B is in French. The four-page comic insert also has speech balloons in both languages, so you can read along while you listen to the record.

If this very thin Flexi-Disc only contained spoken word adventures of Suske & Wiske, I wouln´t have recorded them. Instead, there´s a funny little tune mixed into the story. Kinda power-pop meets nerve-racking noise…

SUSKE & WISKE, De Regendag, 1978

BOB & BOBETTE, La Pluie, 1978

yeahregendag-1regendag-2regendag-3regendag-4

 

 

 


JOY UNLIMITED, Der Top-Hit von Topset, 1974

topset-fronttopset-backdas-neue-topsetqua-qua-pa-pa-qua

A krautrocker´s chocolate bar? The Topset chocolate bar seems to have vanished from the market quickly, at least I can not remember it and I was 8 years old in 1974, a perfect customer for chocolate bars. I guess I was more into Kinderschokolade.

Here´s the Mannheim krautrockers Joy Unlimited, minus the vocalist they named themselves after – Joy Fleming, the inventor of German Soul singing.

I posted another promotional 45 by Joy Unlimited in 2008.

“Was heisst´n das, groovy?”

“Topset ist groovy!”

JOY UNLIMITED, Das neue Topset, 1974

JOY UNLIMITED, Qua Qua Pa Pa Qua, 1974

Nice water color drawing here on the sleeve, but with a classic “mistake” by the artist. Whenever I have drawn guitars like this, the musicians complained: ” That´s wrong! Why do the guitars have no strings?”

topset-aquarell


Die Herren Damen laden ein!

Die-Herren-Damen-laden-einJB-7777-AJB-7777-BThe packaging of this 45 is pretty typical for privately pressed records – white, wrap-around paper “sleeve” and plain label colour and graphics. Everything else about this EP is out of the ordinary. The release in the early 1970s, coincides with the legalisation of homosexuality in Germany in 1971 and that of pornography in 1972.

The” girls” of the Travestie-Cabaret “Die Herren Damen laden ein” ( The Gentlemen Ladies invite you!) perform two jazz-standards and two risqué songs. Or actually, two lyrically graphic and pretty bold songs about sex. The name of the label says it all: SEX-Record.

Still, this is all quite humorous and softened by the cute vocals of the anonymous cross-dressing “Gentlemen-Ladies”. No clue who actually performed this, nor when or where. However, the songwriters of Die erste Nummer were Bert Loska (alias of jazz-vibraphonist Heribert Thusek) and Stefan Laube, who also wrote similar risqué songs together for the LP Graf Porno Mit Seinem Herrenclub “Intime 8” in 1970.

Die erste Nummer ist die Allerschönste (The first time is the best) questions the unrealistic display and frequency of sex actions in the flood of sex films that followed the lift of the ban of pornography. A wonderful musical time capsule of Berlin’s gay nightlife in the early 70s…

 

RITA JANEE, Die erste Nummer

MANUELA RIVA, Ich will dich

RICKY RENEE, Goody Goody

GLORIA DUVAL, When You´re Smiling

 

Herren-Damen


Die schlechteste Schallplatte der Welt (dazu noch ohne Rückseite!)

w-1008-f-frontw-1008-fphilips-blankStreit-Cartoon-1Streit-Cartoon-2Streit-Cartoon-3Streit-Cartoon-4“The worst record in the world (On top of that without a flip side!)”

Okay, that´s not true. If it was, you would probably have heard about it. It´s a pretty nice German novelty record with a cartoon sleeve. Perfect for Berlin Beatet Bestes. And, the flip and the back of the sleeve are indeed  blank.

The label, that says “Lachplatte” (Laughing Record) and the Art Nouveau-style of the lettering, suggest that the song is based on the idea of The original Okeh Laughing Record: a man and woman laughing uncontrollably about a musician playing out of tune. For whatever reason, this song has very little laughing, but a lot of out of tune playing.
I assume, that the Kleckerdorfer Symphonieorchester is  actually Rolf Schneebiegl´s brass band. Scheebiegel (1924-2004) was quite an interesting musician who played jazz after WWII with Freddie Brocksieper, Kurt Edelhagen and Hans Koller, before he started his own very successful brass band, the Original Schwarzwaldmusikanten. While it might not work as a re-make of the famous Laughing Record, fans of classical music might still find humor in this rendition of  Franz von Suppe´s “Dichter und Bauer”, as arranged by Rolf  Schneebiegl.

There´s some crafty voluntary out of tune playing to be heard…

DAS KLECKERSDORFER SYMPHONIEORCHESTER, Dichter und Bauer

The reason I bought this record, was the sleeve, designed by cartoonist Reinhard Streit. I found no information about him online at all.

However, I found four cartoons by Reinhard Streit in my collection, published in the small book “Ohne Worte” (Without Words) in 1956 by Verlag Kurt Desch. The company published a European, a French and a German cartoon anthology. This is from the German edition:

Reinhard-Streit-Patentamt

Patentamt (patent office)

Reinhard-Streit-Frieden

 

Reinhard-Streit-1-2

 

Reinhard-Streit-Strip

 

 


HERMANN SATTLER MIT SEINEM ORCHESTER, Blasmusik, 1965

wenn-du-lust-hast-frontBlasmusikWenn Du Lust hastEven more dirty schlager songs by the tiny Cady label. The illustration on the sleeve was drawn by the same anonymous artist that did the Helga Mohr sleeve.

HERMANN SATTLER MIT SEINEM ORCHESTER, Blasmusik, 1965

HERMANN SATTLER MIT SEINEM ORCHESTER, Wenn du Lust hast, komm zum Kegeln, 1965

kegeln


HELGA MOHR UND DIE HUCK & HUCKY´S, Wer will fleissige Handwerker sehn?, 1965

fleissige-handwerker-frontfleissige-handwerker-backfleissige-handwerkerEin kleines HündchenMore risqué schlager by the Cady label. I bought these 45s because of the cartoon sleeves, designed by an anonymous artist. Helga Mohr sounds a lot like Gisela Jonas. Besides, there´s not much to say about these records. Nobody seems to want them. Nobody collects them. Nobody ever thought that they should be reissued in the past 50 years. However, I bet some fools will soon offer them on Ebay for 20 Euros, just because I present them here. Naturally, nobody will buy them.

Here´s why…

HELGA MOHR UND DIE HUCK & HUCKY´S, Wer will fleissige Handwerker sehn?, 1965

HELGA MOHR UND DIE HUCK & HUCKY´S, Ein kleines Hündchen, 1965

handwerker