A bit of a mystery record here, starting with the group´s name. Aries Afosheenga on the sleeve, simply Afosheenga on the label, while Rock City, a Berlin rock music guide from 1985 lists them as Aries Afrosound.
And then, what is Afro-European Generation? Is it the title of the record or another name for the band? Further info from Rock City, shines some light on it: ” Steven was born in the star sign of Aries on the Ivory Coast, of Nigerian descent. His music (Afro-European Generation) reflects the life and team play of black and white people. Role models are Otis Redding, Sam Cooke and Frantz Fanon.”
Aries band members were: Steve (Voc, conga, g), Kola (voc,b,conga), Yomi (voc,perc,g), René (perc,g), Peter (dr), Conrado (flute, sax), Daniel (tenor-sax), Urban (p-synth). Recorded and mixed at STEVE`S MUSIC SHOP, West-Berlin. Distributed by STEVE`S MUSIKLADEN, Gitschiner Straße 96.
The sleeve´s line-up: Stephen Lawal (voc, g, dr, conga), Kola Adio (b, voc, conga, perc), Tina Warse (tenor sax), Daniel Hermelink (keyboard-piano), Parviz Ghiassian (alto-sax), Barry Anene (g, perc)
Despite its melancholy touch, Way Back To Africa is a laid-back West-African tune, straight out of gloomy 1980s West-Berlin…
The synth is used like percussion on Congaman:
Found this privately pressed 45 at my neighborhood flea market a while back. The seller said it was “kinda punk”. It´s a mish-mash of punk/new wave-influenced ROCK, specific to a lot of local bands in the late 70s and early 80s, when Berlin was punk capital.
Drummer Reinhard “Wurzel” Stey, who wrote both of these songs, came from an older generation of rock musicians. Since 1970, he had played in Panko Musik and later in Tontransport. Stey was also co-founded the first Berlin rock organization. According to rockinberlin.com, he died at an unknown date.
Grunewald forest is the largest green area in the city of Berlin. Still, the chorus of the song goes: ” The forest is much too small/ Concrete everywhere”
Found this one-sided promotional flexi disc for Triumph´s Blues – Disco Bras in Bruxelles last year. No information about the origin of the Graduates, but from the accent of DJ John Bright who introduces the group, I´d guess they´re from South Africa.
Two funky tunes advertizing for bras. Disco bras….
When I first listened to this EP, I immediately thought: This does not sound like a budget-group doing a half-assed promo song, but an established rock´n´roll band. I listened to it again and again. Finally it hit me: I know this voice! It sounds like Eddy Mitchell!
I found reference to the record in the book La belle histoire des groupes de rock français des années 60 by Jean Chalvidant and Hervé Mouvet published in 2001: In 1962, Eddy Mitchell broke up with Chausettes Noires and went solo in 1963. In 1964 he briefly got together with Les Fantômes and recorded these four beat tunes…
Rumpelstilzchen-Boogie is a German cover version of Lou Monte´s Someone Else Is Taking You Home. The German lyrics, written by Klaus Doll and Nicolaus Hix, are completely unrelated to the original and were probably made to fit the kiddie rock´n´roll concept.
The Berlin ultra-budget flexi-label Rondo took over both sides from the Austrian Harmona 3-D label. Changing the pseudonym from Bluejean-Jenny to Susanne, the sides were also released in Austria by Schallplattengilde Gutenberg. Discogs and various German collector-sites accredit both releases to Susanne Adorjan, most likely because she was the only Susanne in the roster of both labels.
Bluejean Cinderella was originally recorded by the The Peewees (a group of kids!) for Josie Records. German lyrics were written by Horst de Gray and Tambour, who also wrote similar teenage material in 1958 for Austrian Rocker Robert Benett (“Das freu´t mich so” (Jive after Five – Carl Perkins), “Insgeheim” (Secretly -Jimmie Rogers) and “Total Verrückt” (All Shook Up – Elvis).
Rescued a bunch of “Discocarte”- postcard records on the Marolles flea market last Sunday, shortly before I saw the rest of the box getting destroyed in the rain. Kinda sad, kinda not. Most people who´ve never seen a postcard record, seem to like the idea. Like an E-mail with a picture and an MP3 attached. Only much cooler!
Until they hear the music …
The small scanner is not in the picture, but you can see me digitizing postcard records at our house in Brussels with my portable record player:
One last item that involved the king of the Belgian Budgets, Jack Say. While visiting Brussels and posting from here, I would have preferred to post a record that involved the Atomium, but that´s rather hard to come by. And probably quite expensive. This one was only 1 Euro and at least has the word EXPO in it. Expo, as in Expo 58 when the Atomium was built.
The anonymous duo tried to be faithful to the original, though. As the label notes: “with Jack SAY´s orchestra”….
PAUL DORIS AND PAULA SMITH WITH JACK SAY´S ORCHESTRA, Hey! Paula, 1963
CONRAD MEYER MIT ORCHESTER UND CHOR, Blume von Tahiti, 1963
It´s been raining quite a bit here in Brussels over the past days, so here´s a record about “A Rainy Day”. Suske & Wiske is one of the most famous and successful Belgian comics series. Since its creation in 1945, it sold 145 million copies. This promotional multi-media item for kids, produced for German food brand Knorr, is a good example of Belgian multilingualism. Side A is in Flemish and side B is in French. The four-page comic insert also has speech balloons in both languages, so you can read along while you listen to the record.
If this very thin Flexi-Disc only contained spoken word adventures of Suske & Wiske, I wouln´t have recorded them. Instead, there´s a funny little tune mixed into the story. Kinda power-pop meets nerve-racking noise…
SUSKE & WISKE, De Regendag, 1978
BOB & BOBETTE, La Pluie, 1978