JOY UNLIMITED, Der Top-Hit von Topset, 1974

topset-fronttopset-backdas-neue-topsetqua-qua-pa-pa-qua

A krautrocker´s chocolate bar? The Topset chocolate bar seems to have vanished from the market quickly, at least I can not remember it and I was 8 years old in 1974, a perfect customer for chocolate bars. I guess I was more into Kinderschokolade.

Here´s the Mannheim krautrockers Joy Unlimited, minus the vocalist they named themselves after – Joy Fleming, the inventor of German Soul singing.

I posted another promotional 45 by Joy Unlimited in 2008.

“Was heisst´n das, groovy?”

“Topset ist groovy!”

JOY UNLIMITED, Das neue Topset, 1974

JOY UNLIMITED, Qua Qua Pa Pa Qua, 1974

Nice water color drawing here on the sleeve, but with a classic “mistake” by the artist. Whenever I have drawn guitars like this, the musicians complained: ” That´s wrong! Why do the guitars have no strings?”

topset-aquarell


TITI, One Man Band (Ich hab´die Tröte und die Flöte), 1974

titi-one-man-bandBL-11310-ABL-11310-BTiti is Tweety in french. It is also a nick name – short for Thierry. But who is this mysterious Sombrero-wearing Titi? He sings with an obvious french accent and the picture sleeve shows him busking on the streets, but then both songs were recorded in a studio with some noise and applause mixed in later on One Man Band. Also, Titi claims to play horn, flute, guitar and bass in the song, unfortunately, the production does not make it sound like that. So don´t expect the raw noise of Hasil Atkins, John Schooley, Reverend Beat-Man, Dead Elvis, Bloodshot Bill or any other Squoodge Records One Man Bands….

These are nice songs though, that have not been re-released since 1974. The B-side Wohin soll das führen even has some surprisingly up-to date lyrics about gentrification and the radical demolition of old buildings and construction mania in inner cities like Berlin…

TITI, One Man Band (Ich hab´die Tröte und die Flöte), 1974

TITI, Wohin soll das führen, 1974

titititi-passanten


Ein neuer Schlager… , 1961

diolen-frontdiolen-backdiolen-seite-1diolen-seite-2A couple of years ago, I posted a song celebrating the advantages of polyester. While the 4 Cravattos were praising Trevira, this 2-sided flexible record is promoting Diolen. Back then I wrote: ” Today trying to find synthetic clothes from the 1950s is much harder than finding flexible vinyl advertisement records from the same time.”

While that still is right,  don´t get the wrong idea. These promotional flexis are still mostly worthless, because there is no market for them.  Still, I bet some idiot will offer a copy on ebay soon – for 20 Euros. Of course nobody ever buys these flexi discs for 20 Euros. There´s only a handful collectors of flexis. I´m one of them and I never pay more than 1 Euro.

When will they ever learn,

that records like this one belong in the free-box….

Ein neuer Schlager…

…die neue Krawatte aus Diolen mit vielen Vorzügen und einer großen Spezial-Werbung

 

 


LORETTA, Du allein

PD-2715-BPD-2715-A

PARTY!  Now, that´s a cool name for a label.  With a name like that you´d expect full colour picture sleeves, but unfortunately the ones I´ve seen  have plain type-only designs.  All Party releases seem to feature Loretta, so likely the label was a vehicle for her career. Local budget-stars Bob Gerry (Werner Hass), the Moonlights and the Columbinos also appear on Party releases. Günter Pätzold, who backs Loretta with his orchestra, began recording for Odeon in the late 1940s. He co-wrote Küß Mich Heiß (as Petzold) for the Heinz-Becker Barquintett for the Amiga label, incidentally, a group Fritz Wölffer played guitar in. Pätzold also recorded for the local cheapo flexi disc-label Okay.

Du allein was written by  Pätzold, Loretta and a certain van Holsten, while Frage nicht nach meinen Traeumen was written for Loretta by Bruno Balz and Heino Gaze, two very successful German songwriters. Heino Gaze (1908-1967) wrote the music to around 600 German hit songs, like La-Le-Lu, Kalkutta liegt am Gangesand Shake Hands, a hit for Drafi Deutscher. Bruno Balz (1902-1988) wrote the lyrics to more than a thousand hit songs, a lot of them together with Michael Jary. He especially wrote for Zarah Leander, but carried on until the mid-60s with such hits as Mäcki Boogie, Berlin bleibt doch Berlin! and Mama for child star Heintje. Bruno Balz was a very interesting character and I recommend to read his full story on Wikipedia.

Both songs have a pretty big production for a small label, that contrast with Loretta´s unique voice.

Now, who is this mysterious Loretta?

LORETTA, Du allein

LORETTA, Frage nicht nach meinen Tränen

party-logo

Party PD 2713, A-Side: Loretta (Günter Pätzold mit senem Tanzorchester und die Moonlights) – Quando… Quando… / B-Side: Bob Gerry und die Moonlights – Luana (Komm heute Nacht zu mir)

Party PD 2714, A-Side: Loretta – Eine Insel für zwei/  B-Side: Günter Pätzold – Paris (Guenter Pätzold mit seinem Tanzorchester und die Moonlights)

Party PD 2715, A-Side: Loretta – Frage nicht nach meinen Tränen/ B-Side: Lotetta- Du allein (Guenter Pätzold mit seinem Tanzorchester und die Moonlights)

Some more Party label images from ebay:eine-insel-für-zweiquando-quandoloretta-quando-quando

loretta-quando-quando

 

 

 

 

 

 

 

 

 


THE ROY BOSTON SHOW INTERNATIONAL

the-roy-boston-show-international-frontthe-roy-boston-show-international-back7-PAL-3529-ST7-PAL-3530-STRoy Boston is mostly know for his Schlager songs of the 70s, but apparently he already led his own “show band” in the 60s. This is part 2 of his “American Records” label (located in Düsseldorf!) releases , so I suppose there is a part 1 too, but I´ve never seen it.

Roy Boston seems to have had an appetite for travel and luxury even as a young man. He went on to become a building tycoon in the Souh of Spain. Today there is even a street named after him in Marbella, the Calle Roy Boston.

Liner notes from the back of the sleeve:

Here, with an excerpt from his show, the singer Roy Boston presents his band. It is a pleasure to hear and see this young band sing and play. Unfortunately, there is no gold metal for versatality. They harmonize in seven languages and in all kinds of styles from Bamba, Chacha, Calypso, Swing, Twist, Slop and Blues to Tango, Waltz, Polka and March. And further, from German songs of the Rhineland to the Spirituals and Folk songs of America. This great versatality is explained by Roy Boston´s enthusiasm for travel and study.

In television and recording studios, american clubs, in London´s exclusive Docklands Settlement Club, before Paul Getty, the richest man in the world, Princess Margaret, Lord Snowden and in the women´s clubs of Montreal, American Air Force clubs, on luxury liners, in the Orient and in Europe, he has learned what show business is and how it is done.

“American Records presents…:

Roy Boston… and his Band! …

Showtime! …

Showtime! …

Showtime! …”

 

THE ROY BOSTON SHOW INTERNATIONAL. Monkeytime

THE ROY BOSTON SHOW INTERNATIONAL, Peter Gun

the-roy-boston-bandthe-roy-boston-show-international

 

 

 

 


HENRI RENAUD ET SON ORCHESTRE, Blues pour G.

belles-frontbelles-backbluesbellesSome more jazz for a change from french pianist Henri Renaud (1925-2002).  While Renaud made prestigious recordings with Clifford Brown, Milt Jackson, Oscar Pettiford and  Max Roach, he also recorded a bunch of good sides with his own group for the budget Panorama.

This one has never been re-issued…

HENRI RENAUD ET SON ORCHESTRE, Blues pour G.

 

le-rock-des-compagnons


FRED GUTMANN UND STUDIO-BAND, Ich brauche dich dazu, 1960

prima-nr.4-4343 Tommy Kent (born Guntram Kühbeck in 1942 in Munich) recorded the original German cover version of I Need Your Love Tonight for Polydor. It was one of the last songs Elvis cut before he left the US for Germany to serve in the Army. Incidentally, Tommy Kent started his recording career in the flexi-disc business, first recording for Hit-Ton (a postcard record label) and Roxy, a sub-label of Vox-Imago, who also pressed flexis for the Prima label.

Unknown Fred Gutmann´s Prima version of Tommy Kent´s Ich brauche dich dazu, comes complete with reverb vocals and imitation of Tommy´s Bavarian accent. Gutmann recorded another rocker for the Prima label,  a fine cover of Billy Sanders´ Daisy du musst schlafen geh´n.

90 Pfennig – that´s what these one-sided Prima flexi-discs sold for. Supposedly a throw-away object for teenagers, 55 years later my copy still plays fine.

Plastic material can be quite durable. It´s possible. that this thin flexi might hold out another 55 years and still be around in 2070.

When nobody will remember what an MP3 was…

 

FRED GUTMANN UND STUDIO-BAND, Ich brauche dich dazu, 1960

prima-nr-4