theo-party-fronttheo-party-backfe-10758fe-10757I´m currently on a visit to Brussels together with the staff of Jungle World. Yesterday I bought this EP at a second-hand record store. I did not record the A-side Théo-Party, because I do not understand it. It´s a spoken-word piece by Belgian comedian Stéphane Steeman imitating Belgian Christian-Democrat politician Théo Lefèvre.

The political satire extends to the pseudonyms of the bands:  Alex Trémiste et ses Meneurs (Al Extremist and his leaders) and Fred Eralist et ses Fanfare (Fedearalist and his fanfare) . Likely the actual band leader behind those aliases was Belgian musician and composer Jack Say ,who co-wote the songs with Stéphane Steeman.

I like the two songs on the flip. No release date given, but sometime between 1962 and 1964  – when Théo Lefèvre was Prime Minister of Belgium.  Le Temps Du Ja-Ja has the subtitle: Le twist du Brugois – The Bruges Twist.

STÉPHANE STEEMAN, Le Temps Du Ja-Ja (Le Twist Du Brugeois)

STÉPHANE STEEMAN, L´Air Du Bruxelles (Brussel-Air)




Die schlechteste Schallplatte der Welt (dazu noch ohne Rückseite!)

w-1008-f-frontw-1008-fphilips-blankStreit-Cartoon-1Streit-Cartoon-2Streit-Cartoon-3Streit-Cartoon-4“The worst record in the world (On top of that without a flip side!)”

Okay, that´s not true. If it was, you would probably have heard about it. It´s a pretty nice German novelty record with a cartoon sleeve. Perfect for Berlin Beatet Bestes. And, the flip and the back of the sleeve are indeed  blank.

The label, that says “Lachplatte” (Laughing Record) and the Art Nouveau-style of the lettering, suggest that the song is based on the idea of The original Okeh Laughing Record: a man and woman laughing uncontrollably about a musician playing out of tune. For whatever reason, this song has very little laughing, but a lot of out of tune playing.
I assume, that the Kleckerdorfer Symphonieorchester is  actually Rolf Schneebiegl´s brass band. Scheebiegel (1924-2004) was quite an interesting musician who played jazz after WWII with Freddie Brocksieper, Kurt Edelhagen and Hans Koller, before he started his own very successful brass band, the Original Schwarzwaldmusikanten. While it might not work as a re-make of the famous Laughing Record, fans of classical music might still find humor in this rendition of  Franz von Suppe´s “Dichter und Bauer”, as arranged by Rolf  Schneebiegl.

There´s some crafty voluntary out of tune playing to be heard…


The reason I bought this record, was the sleeve, designed by cartoonist Reinhard Streit. I found no information about him online at all.

However, I found four cartoons by Reinhard Streit in my collection, published in the small book “Ohne Worte” (Without Words) in 1956 by Verlag Kurt Desch. The company published a European, a French and a German cartoon anthology. This is from the German edition:


Patentamt (patent office)








Die mißglückte Jugendzeit – Original Lach-Aufnahme, 1927


original-lach-aufnahmeoriginal-lach-aufnahme-3original-lach-aufnahme-2The original OKeh Laughing Record, first released in 1922, features a man and woman laughing uncontrollably in response to a musician playing out of tune.

Jacob Smith wrote about the Okeh Laughing Record extensively in his blog Vocal Tracks in 2008.

This is the Beka Laughing Record, the German version of the OKeh Laughing record. Or was it the other way round?


Die mißglückte Jugendzeit – Original Lach Aufnahme

The record was also featured  in the 1955 Walter Lantz cartoon Sh-h-h-h-h, the last short directed by Tex Avery.


wenn-du-lust-hast-frontBlasmusikWenn Du Lust hastEven more dirty schlager songs by the tiny Cady label. The illustration on the sleeve was drawn by the same anonymous artist that did the Helga Mohr sleeve.


HERMANN SATTLER MIT SEINEM ORCHESTER, Wenn du Lust hast, komm zum Kegeln, 1965


HELGA MOHR UND DIE HUCK & HUCKY´S, Wer will fleissige Handwerker sehn?, 1965

fleissige-handwerker-frontfleissige-handwerker-backfleissige-handwerkerEin kleines HündchenMore risqué schlager by the Cady label. I bought these 45s because of the cartoon sleeves, designed by an anonymous artist. Helga Mohr sounds a lot like Gisela Jonas. Besides, there´s not much to say about these records. Nobody seems to want them. Nobody collects them. Nobody ever thought that they should be reissued in the past 50 years. However, I bet some fools will soon offer them on Ebay for 20 Euros, just because I present them here. Naturally, nobody will buy them.

Here´s why…

HELGA MOHR UND DIE HUCK & HUCKY´S, Wer will fleissige Handwerker sehn?, 1965

HELGA MOHR UND DIE HUCK & HUCKY´S, Ein kleines Hündchen, 1965


DIE 3 KÜCHENBUBEN, Die Köchin sprach zum Koch, 1965

Cady-1001-1002Die Köchin sprach zum KochDie Kaltmamsell vom ParkhotelJello Biafra called him:”The most quintessentially hideous recording artist… a kind of blonde-wig Aryan combination Mitch Miller-Tom Jones” (Incredibly Strange Music, Vol.II, 1994).

I remembered that I had this record somewhere, after I read that our “German Andy Warhol with sunglasses and white hair”, was also in this group. So yesterday, I went down to our basement and dug in some old boxes for an hour to finally find this record.

This 45 is even more risqué than the previous one by the Ok-Singers, if not downright dirty! You can clearly hear the famous baritone, singing a  song about a mouse in a kitchen and the female chef showing the male chef the hole it came from…


DIE 3 KÜCHENBUBEN, Die Köchin sprach zum Koch, 1965

DIE 3 KÜCHENBUBEN, Die Kaltmamsell vom Parkhotel, 1965

3 Küchenbuben

DIE OK-SINGERS, Die Susi mit dem Mini-Rock, 1965

ok-singers-frontok-singers-backPe-1-APe-1-BHe´s been in the business for 50 years and has sold millions of records. He´s also the most famous incredibly strange artist from Germany. Jello Biafra is a big fan. I´m not going to write his name in full, because – contrary to my usual policy – this artist is still very much alive and working. In fact, since he re-invented himself two years ago he´s been very successful, and now appears on German television every week. Since this blog deals with odd German records, it was inevitable that I finally came to the undisputed king of German musical weirdness. You know who I´m talking about….

So, this is the first record ( self-published by Dieter Wolf, the Ok-Singers´ guitarist) that our man was ever involved with. The group recorded two more 45s for Vogue and Electrola, but none of them have ever been reissued commercially. The two tracks are  risqué “Stimmungslieder” with a rock´n´roll twist. While his solo career was largely built “in contrast to the modern beat hysteria” (according to the liner notes from his first LP), this record, that features a cartoon girl in a mini-skirt, shows that he had an early brush with it.

Risqué songs, rock´n´roll, cartoon – now, that makes it pretty much…


DIE OK-SINGERS, Die Susi mit dem Mini-Rock, 1965

DIE OK-SINGERS, Lieschen, dein Blüschen, 1965


FRED GARTNER UND SEIN QUINTET, Der Eisenbahnschienen-Sägescheich von Kurdistan, 1962



FRED GARTNER UND SEIN QUINTET, Der Eisenbahnschienen-Sägescheich von Kurdistan, 1962

Lengthy song titles are a good indication for a novelty tune. So, out of curiosity I bought this 45 last Saturday at a local Kreuzberg flea market. The flip, Kurdistan, has unusually nonsensical/clever lyrics, an oriental twist and a nice swingin´vibe. Good ingredients for a hit song, nevertheless the record flopped. The songs probably were too silly for jazz purists and still too sophisticated for mainstream audiences. Not  surprisingly they have never been reissued in 52 years.

Fred Gartner is from Austria, but otherwise no information about him online. The only info I have, is from this sleeveless Odeon 45, that was originally released by the Austrian Favorit Records, house label of comedian Georg Kreisler.

kurdistan-dixie-dixieFrom the credits I assume Kurdistan was written by Joe Dixie, another German Jazz musician that went completely under the radar. I have written a bit about Dixie a while back here.

Though the  lyrics themselves are not related to it, Durchs wilde Kurdistan was obviously inspired by a novel of the same title, written by Karl May in 1892. A film based on the book was released in 1965.

Schokoladen-Laden-Ladennmädchen is vaguely reminiscent of titles like Bill Ramsey´s Wumba -Tumba Eisverkäufer and Trude Herr´s Ich will keine Schokolde. It was written by Austrian comedians Gerhard Bronner and Peter Wehle. Together Bronner and Wehle wrote over 1000 songs and programs. Both of Jewish descent, here they can be seen doing a comedy report on their tour of Israel:

FRED GARTNER UND SEIN QUINTET, Das Schokoladen-Laden-Ladenmädchen, 1962


The only trace of Fred Gartner that  I could find is an excerpt of  a show recorded live at the “Splendid Bar” in Vienna in 1959. Gartner is the one on the right side, doing the impression of  Louis Armstrong: