One last item that involved the king of the Belgian Budgets, Jack Say. While visiting Brussels and posting from here, I would have preferred to post a record that involved the Atomium, but that´s rather hard to come by. And probably quite expensive. This one was only 1 Euro and at least has the word EXPO in it. Expo, as in Expo 58 when the Atomium was built.
The anonymous duo tried to be faithful to the original, though. As the label notes: “with Jack SAY´s orchestra”….
When I arrived at the Marolles flea market in Brussels yesterday, the market was about to close. And then it suddenly also started to rain. Big disappointment. Nevertheless, I quickly went through a few boxes, while the seller constantly shouted:” DEUX PIÈCES – UN EURO! DEUX PIÈCES – UN EURO!” Watching all his stuff getting soaked in the rain and the people leaving, he was getting more and more desperate. Surprisingly, I got a dozen 45s for a price way below 50 cents a piece.
Belgian budget label Kraftone was a short-lived offshoot of the Kraft Foods group. Five Cats Rag is not credited to any songwriters, so I assume it is an original by French jazz pianist George Arvanitas.
Great fast Hot Jazz!
Bob Azzam´s original hit version Ya Mustafa was released in 1960, so this is likely from the same year.
I´m currently on a visit to Brussels together with the staff of Jungle World. Yesterday I bought this EP at a second-hand record store. I did not record the A-side Théo-Party, because I do not understand it. It´s a spoken-word piece by Belgian comedian Stéphane Steeman imitating Belgian Christian-Democrat politician Théo Lefèvre.
The political satire extends to the pseudonyms of the bands: Alex Trémiste et ses Meneurs (Al Extremist and his leaders) and Fred Eralist et ses Fanfare (Fedearalist and his fanfare) . Likely the actual band leader behind those aliases was Belgian musician and composer Jack Say ,who co-wote the songs with Stéphane Steeman.
I like the two songs on the flip. No release date given, but sometime between 1962 and 1964 – when Théo Lefèvre was Prime Minister of Belgium. Le Temps Du Ja-Ja has the subtitle: Le twist du Brugois – The Bruges Twist.
More Turkish Pop with a latin twist from the early 60s by Sevket Uğurluer. Both songs have apparently never been commercially re-released. Gözleri Aşka Gülen, a schmaltzy tune originally written by Gundogdu Duran, is given a modern reworking by Ugurluer and Friends.
The song starts with English and then turns to Turkish lyrics in the second half.
Turkish Bossa Nova…
You is pure 60s US-Teen Pop…
I couldn´t find any period photos of Şevket Uğurluer and his band. Instead, I´ll post some images from one of the Akbaba (vulture) satire magazine that I bought in Istanbul this year. This issue is from June 1962. There is no signature, but I´m pretty sure that the cover was done by Necmi Riza. Riza did a lot of covers for Akbaba, that are easily recognizable by his boldly inked style.
The Lambiek Comiclopedia notes that Necmi Riza Ayça was born in Yugoslavia-Pristine in 1912 and died in 2000, while Turkish Vikipedia states he was born in 1914 and died in 2001.
In the early 1960s, Şevket Uğurluer was among the first Turkish musicians to mix traditional music with Jazz. Today Uğurluer is mostly known for his faithful renditions of US-Pop hits, most of whom have been re-released on CD.
Not this one. When recording the spiritual Josua Fit The Battle Of Jericho, Uğurluer didn´t seem to have taken the lyrics too seriously. But who cares about some slurred lines, when he and his gang play the song at such breakneck speed.
“Joshua the battle of Jerico… and the wölls came tumblin´down….”
The Pete Seeger penned protest-song If I Had A Hammer was a hit for Trini Lopez in 1963. Sevket Uğurluer´s version is wrongly credited to Trini Lopez on the label, but it´s pretty close to the hit.
Except that, here Animal from the Muppet Show is on drums….
For the first time, I´m not posting a rarity but a hit record. Abidik Gubidik Twist is the Turkish Twist hit record and was also featured in two movies. However, I guess outside of Turkey few people will have heard these songs. While Turkish Psych has fans worldwide, Turkish Twist is still only known to Turks. Abidik Gubidk Twist was re-released in 2011, though buried in a 5 CD-Box of Turkish movie songs. As far as I could see Göz Göz Değdi Bana has never been commercially re-released.
Abidik Gubidik Twist (“Nonsense Twist”) first appeared in the opening scene of the 1963 film Beni Osman Öldürdü. Following its success, the song again appeared in the opening sequence of Abidik Gubidik.
Öztürk Serengil was a comedian who starred in close to 300 movies. He died in 1999 at the age of 69. His daughter Seren Serengil is also a pop singer.
This record came out through Öztürk´s own short-lived Serengil record label. A great first release that features two Turkish Twist hits. Abidik Gubidik Twist even has a nice guitar solo.
Ajda Pekkan was only 18 when she sang Göz Göz Değdi Bana in her first film “Adanalı Tayfur”. Today Ajda Pekkan is the Turkish Superstar. Altogether she has starred in 47 films.
Öztürk Serengil doing some wild Twist moves in the opening squence of the film “Beni Osman Öldürdü”:
Gezakt of geslaagd has been re-issued more than twenty years ago. I´m still posting it here, because it´s one of my better recent finds. It was only one Euro and I found it in May at a flea market – of all places – in Istanbul! Buried in a bunch of other Dutch records, I did´nt know what it was at the time. The catalog of the Negram label that is printed on the back of the sleeve seemed promising, though. It features Dutch Beat groups like The Ronnies, Mokum Beat Five, The Motions, Tee-Set, Andy Tielmann and Roek Williams and the Fighting Cats.
Back home in Berlin I recognized Gezakt of geslaagd from a CD a Dutch friend gave me many years ago. The song was first re-released in 1994 on Biet Het Vol. 2 – Trip Trap Door De Tulpjes on Boem Records. In 2002 it was featured on Beatmeisjes – Dutch Girls and Girl Groups in the Sixties, compiled by Frank Dam and Marthy Coumans. Frank Dam also wrote a 224 page book on the same subject. Everybody who bought that book knows more about Els Molenaar than I do. Sadly, I don´t know Dutch and do not own the book.
According to Popsike someone bought this record for 110 Euros in 2011. It is Els Molenaar´s sole record. Gezagt of geslaagd (pass or fail) is a happy little anti-school song.
Two bad it only lasts two and a half minutes….
What sort of book is Els throwing in the dustbin? A German-Dutch textbook.
Some schoolgirl doodles by the graphic artist: T-Set… Motions… Lily Bart… Lily Bart from Edith Wharton´s The House of Mirth?
Els, where are you today?
Bereits im Juni schrieb ich für die Junle World einen kleinen Text über rare Platten und wie ich diese fand hier.
The old sheik of Istanbul, was written by German songwriting team Georg Buschor and Christian Bruhn. Probably just a quickly assembled flip for the A-side – a cover of Bob Azzam´s hit record Ya Mustafa – the record was released in 1960, the year of the first Turkish coup. The lyrics of Der alte Scheich deal with typical period far-east exoticism. A fictious sheik of Istanbul visits Europe to find out that Western habits are much stricter than Turkish habits. A little far fetched, even back then. Habits and laws have always been much stricter in Turkey. Today, the “new sheik of Istanbul” is even talking about reinstating the death penalty.
Gerd Fitz strarted his career in the early 50s in the trio Das Fitzett, together with his brother Walter and his sister-in-law Molly. From the mid-50s to the 60s he started a solo career, mainly recording for the budget Tempo. Like many other artists, Gerd Fitz lived too early in the post-war age. When Rock´n´Roll came around he was no longer teenage-material. He still recorded some rock, like a cover of Peter Kraus´Mach’ Dich Schön (Treat Me Nice).
In the 70s he started yet another career as an actor in supporting roles. The Fitz family has a long history in German show business. Niece Lisa Fitz is a stand-up comedian and his son Michael is also an actor. Aged 85, Gerd Fitz died in May 2015.
Not surprisingly, these songs have never been re-released in 56 years. If you can see past the naive racism, Der alte Scheich is a jolly little tune. I like it…
Wie war das mit dem Scheich? Wie war das mit dem Scheich? Die Sache mit dem alten Scheich erzähl ich euch sogleich. Der alte Scheich von Istanbul, der ging auf große Fahrt. Er setzte seinen Turban auf und kämmte seinen Bart. Doch bei der ersten Zollstation, da war es schon passiert. Er zog den Hut, der Schmuck fiel raus und wurde konfisziert. So streng sind hier die Bräuche. Das hasste nun davon, ohweiawei! Da lob ich mir die Bräuche, die Bräuche der Türkei. Wie war das mit dem Scheich? Wie war das mit dem Scheich?
Was mit dem Scheich noch weiter war, erzähl ich euch sogleich. Der alte Scheich von Istanbul kam in die Stadt Paris. Und sah drei schöne Mädchen geh´n , die waren zuckersüß. Er sagte: „Bald soll Hochzeit sein, ich nehm euch alle drei.“ Da schrien die Mädchen: „Unerhört! Wir geh´n zur Polizei!“ So streng sind hier die Bräuche. Das hasste nun davon, ohweiawei! Da lob ich mir die Bräuche, die Bräuche der Türkei. Wie war das mit dem Scheich? Wie war das mit dem Scheich?
Was mit dem Scheich noch weiter war, erzähl ich euch sogleich. Der alte Scheich von Istanbul traf eine Maid in Bonn. Die lief vor einem Wolkenbruch im Sommerkleid davon. Er bot ihr seinen Regenschirm und wollte höflich sein. Da rief das Mädchen:“Danke schön. Hier darf man sich nichts leih´n.“ So streng sind hier die Bräuche. Das hasste nun davon, ohweiawei! Da lob ich mir die Bräuche, die Bräuche der Türkei. Wie war das mit dem Scheich? Wie war das mit dem Scheich?
Wie war das mit dem Scheich?
Er flog auf seinem Teppich gleich, zurück ins Türkenreich.