Around 1960, the Hallo label out of Rastatt/ Baden-Württemberg, released around four dozen flexi discs, often containing original tunes, to go with their Hallo magazine, a rock´n´roll knock-off of Bravo. I haven´t posted any Hallo flexis, because a book about Hallo and a CD, was soon to be released. That was years ago, but so far, no book. If the book and the CD finally come out, I´ll be happy to buy a copy. Meanwhile, this Hallo flexi is fine blog material: 50 plus years old, defunct label, unknown artists, not available in digital format elsewhere.
Franz von Suppé´s Liebestraum was turned into a Twist hit in 1961 by Charly Cotton and his Twistmakers, a band led by prolific songwriter Christian Bruhn. I´ve posted a bunch of versions of Der Liebestraum als Twist over the years, by Jimmy Brown (Tempo), Bert Landers (Tip) and Bob Gerry (Baccarola and the Gary Edwards Combo (Oriole). This Accordeon-Jazz-version, typical of the 1950s trend of Jazz-takes on Classical music, predates Charly Cotton´s.
The condition of this flexible record seems to be the result of a familiar scene. Flexis were cheap products for teenagers, teenagers that lived in the same rooms with their little brothers and sisters. Like I did with my little brother until I was 13 years old. Frequently we would get in fights. I´m sorry to admit it, but my brother always lost.
In revenge, he would take his crayons and draw all over my stuff…
Just noticed that the last post was my 700th post since I started this blog in 2007. To celebrate all these wasted years, here´s another flexible Birthday 78rpm postcard record, published by the London based Melody Cards company. These postcard records offer perfect copyright-friendly blog material: anonymous artists, no copyright noted, 50 plus years old and of course never reissued.
Plus, underneath the crackles and pops, a pretty silly song.
No washboard though….
Happy, Happy Birthday!
Happy, Happy Birthday!
On this anniversary of the day that you were born.
Let´s git goin´ down the track,
Once I´se there ain´t comin´ back,
Git those presents on the rack
Of the WASHBOARD BIRTHDAY SPECIAL
In 1957 Dutch singer Corry Brokken won the second European Song Contest, the Grand Prix Eurovision de la Chanson Europénne. While she is mostly known for her smooth pop ballads, her career got started when she recorded the swingin´ Auto-Scooter´s-Boogie with Albert Van Hoogten´s small indie Ronnex in 1955. Now Ronnex was a hip label, from putting out Bill Haley´s pre-rock´n´roll sides, to Jack Hammer´s crazy twists, to the fuzzed-out beat of the Shake Spears. In the mid-1950s Albert sent his brother, Rene Jan van Hoogten, to the United States to set up a label there. Rene later changed his name to Ray Maxwell, started Moonglow Records, recorded a bunch of very cool rockin´records and eventually discovered the Righteous Brothers.
To celebrate tonight´s 59th annual Eurovision Song Contest, here´s a one-sided flexible 45, recorded by Corry Brokken and her Hi-Fives for BP in the early 1960s
In Germany being on time still means a lot. Friends still make appointments like: “Let´s meet next Friday at the big oak tree next to the railroad station at 21:45.” And then they show up at that exact minute! Likewise Germans take the reliability of public service, like the railway system, for granted. Understandably, if something goes wrong, it´s a huge disappointment,
Recently Deutsche Bahn made national headlines once again when the train station in Mainz (a city of more than 200.000 inhabitants) had to partly shut down due to most of the station´s traffic controllers being ill or on vacation. A couple of days of irregular service were called “chaos”, “crisis” and “a scandal” and caused a huge public outcry.
Here´s a look back to the past, when German trains were a lot slower but always reliable. This one-sided flexible advertisement record, made by Bundesbahn (the predecessor of Deutsche Bahn) and recorded by anonymous artists in 1966, glorifies the service, punctuality and speed of the railroad.
“Fahr lieber mit der Bundesbahn” – Take the train instead!
Here´s the film that went with the campaign in 1966:
In 2007 the Bolle Beatet Bestes flexible 45 inspired the name of this blog. Berlin bietet Bestes means “Berlin offers the best”. The record was issued by Bolle, a local chain of supermarkets. Bolle had a very long history in Berlin. Initially the company developed out of the C. Bolle dairy farm that was established in 1879 by Carl Andreas Julius Bolle. The last store closed in 2011.
There were some other 45s put out by Bolle but these two are the only flexi discs. The Bolle Beatet Bestes flexi from 1967 is the more interesting one. I put the MP3s back up, so check out the songs if you missed the post in 2007.
Until recently I never even thought about buying any of the other Bolle records, because Finnish Yenka and bogus 1960s Dixieland seemed way too boring. I´m not a completist but when I saw this one a while ago for 50 cents, I finally picked it up.
Well, it´s not a particularly noteworthy record, but it definitely is a very local Berlin artifact.
Cigarettes and Summertime! They work well together. Sitting outside enjoying the sun, the body bursting with energy, there´s nothing like inhaling and wasting some of that excess power. And then there´s still beer and lemonade…
Gorden – So frisch wie das Leben von heute
Rauchen sie gorden! Machen Sie mit – tanzen sie den gorden-hit!
A while back I found some more flexible 45s by Kid Orbis, alias Wolf Gabbe. Although my other posts of his music, like his swingin Nutcracker Suite, have left even the small remainder of readers unfazed, I have to do what I have to do. I dig Kid Orbis´ take on Antonín Dvořák. Sure, Jumpin with Anthony Dvorak could be more jumpin´ but it´s still a nice little tune. Kid Orbis recorded specially for Delta-Ton out of Düsseldorf-Büderich. But Delta Ton also took over material from real labels.
J.P.´s Blues by James Williard Parks and the Bucktown-Six first appeared on an EP of the same title on the German Climax label, a small jazz specialty label. Written by J.W. Parks, an Afro-American US-soldier stationed in Wiesbaden. J.P.´s Blues is probably the most authentic sounding blues song recorded in Germany in the 1950s. It was recorded on February 22nd 1957 in the Robert-Schumann-Saal in Düsseldorf.
The line-up features: J.W.Parks, voc; Dietrich Geldern, cl; Manfred Stapput, tp,voc; Herbert Koleczek, p; Dieter Kauffmann, bj; Hermey Kopp, dm and Heino Ribbert, b.
(Cover image from the 45cat website)
Judging from the front sleeve of the Climax EP J.W. Parks must have been a sight to behold in Germany at the time. His flashy getup was certainly in contrast to that of most German jazz musicians and Pop stars.
“WTF! Are you kiddin´”? That´s what I thought today when I heard this song for the first time. But somehow it also made perfect sense. So much sense that I wondered if I had ever really listened to the original version of Red River Rock. I mean really really LISTENED closely. Because on this version, the famous melody is played on a Blockflöte – a recorder. And it just sounds right. Was that a recorder, that I had never noticed, in the original version, too? This little school kid instrument? I actually immediately went to check…
Of course in the Johnny and the Hurricanes version its a Hammond organ! Played by Paul Tesluk on a Hammond Chord Organ. Pfff, I was worried there for a short time…
On this German flexible budget 45 the recorder, according to the label played by a certain Fred Brass, aptly mimics a Hammond organ. Sweet!
The other side is Dixieland. German budget Dixieland and I´m pretty confident, that the people who recorded this song and the people who bought the record didn´t have any idea what they were playing and listening to. In the 50s Germany was just too far away from Dixie. Nevertheless this version is not even so bad. It´s a pretty carefree trad-style jazz song, including nice trumpet, clarinet, banjo, saxophone, even a short drum solo! There is a lot of music out there that is way worse…
I don´t know anything about the Heinerle label, but I´ve noticed that it had a knack for recording original material along with the typical budget versions of hit songs. Limehouse Dixie is credited to M. Bender and Moro, whoever they are, and doesn´t sound like Limehouse Blues, the jazz standard. So maybe it was a Heinerle original:
In Motril is a silly song (poem?). It´s got nothing to do with the Spanish town of Motril on the Mediterranian coast. Tommy Stone is a pseudonym and I don´t know who he is behind it, but I´ve written about Kid Orbis before. This is what I wrote:
The name Kid Orbis can be found on quite a few cheapo releases on various German labels like Delta-Ton, Opera, Tip Top and Universumin. Likely chosen to sound like legendary jazz trombonist Kid Ory, the man behind the pseudonym Kid Orbis was actually Wolfgang “Wolf” Gabbe. According to Wikipedia Wolf Gabbe, born April 28, 1924 in Berlin, first worked as an auto-mechanic before taking evening classes to become a drummer. After 1945 he started to play in swing and dance bands and made his first recording for the East-German Amiga label in 1948. Gabbe´s “Radio-Star-Band” remained a fixture in Berlin into the 60s. By the way, you might want to check out another Wolf Gabbe advertisement record that I posted some years ago here: “Hully-Gully-TÖFF-TÖFF” released in 1961 on the local Rondo-Exquisit label.
Getting bored already? I am. Yea, that how it is sometimes… I start out with one cool song and then I add all the others that I have by that artist/label and they just are not as good. “Our love awakened tonight at the Rio Grande…” Yawn…
Perfect if you´re from somewhere on the other side of the world and are really curious about German Schlager music. And for some reason you´ve never heard the original version of Kriminaltango. Or you like Tango. Or Criminal stories.